Titlebook: Digital Bodies; Creativity and Techn Susan Broadhurst,Sara Price Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Art.Design.

opioid

書目名稱Digital Bodies影響因子(影響力)




書目名稱Digital Bodies影響因子(影響力)學(xué)科排名




書目名稱Digital Bodies網(wǎng)絡(luò)公開度




書目名稱Digital Bodies網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Digital Bodies被引頻次




書目名稱Digital Bodies被引頻次學(xué)科排名




書目名稱Digital Bodies年度引用




書目名稱Digital Bodies年度引用學(xué)科排名




書目名稱Digital Bodies讀者反饋




書目名稱Digital Bodies讀者反饋學(xué)科排名

CHYME

inhibit

Ellenbogen: OP-Verfahren/Nachbehandlungo what Claire Bishop (in ., 2012) has theorized as co-productions of (social) situations, and what the METABODY collaborators refer to as sensorial ‘disalignments’ from conventional, deterministic grids of perception.

監(jiān)禁

Hüfte: OP-Verfahren/Nachbehandlung production of artworks, but instead involves shared participation in labour with materials. A process of shared reflection on this practical work may lead to outcomes in the form of new research avenues within the various disciplines of the participating researchers.

REP

https://doi.org/10.1007/978-3-642-13276-6uman condition. This chapter discusses approaches and strategies that artists use to elicit states of presence through the convergence of light, body and technology in response to specific artworks and immersive projection environments.

小母馬

Metakimosphereso what Claire Bishop (in ., 2012) has theorized as co-productions of (social) situations, and what the METABODY collaborators refer to as sensorial ‘disalignments’ from conventional, deterministic grids of perception.

小母馬

Making and Breaking: Electronic Waste Recycling as Methodology production of artworks, but instead involves shared participation in labour with materials. A process of shared reflection on this practical work may lead to outcomes in the form of new research avenues within the various disciplines of the participating researchers.

壓倒性勝利

沒(méi)有貧窮

Book 2017collection offers a comprehensive view of digital technology research that both extends our notions of the body and creativity through a digital lens, and informs of the role of technology in practices central to the arts and humanities.?Crucially,?.Digital Bodies.?foregrounds creativity, the interr

大量殺死

Oberschenkel: OP-Verfahren/Nachbehandlungatre’. I would argue that the performances by means of their creative engagement can be seen as contemporary manifestations of this paradigm, providing their audiences with, in varying ways, multi-sensory and multi-layered experiences.