Titlebook: Diffracting New Materialisms; Emerging Methods in Annouchka Bayley,JJ Chan Book 2023 The Editor(s) (if applicable) and The Author(s), unde

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Power and Language Policies in Luxembourgperience it? Most philosophers of art have thought of art as something which occurs mainly or only in human minds. They believed that art materials were passive receptacles of beautiful forms imposed by humans.

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Anastasia Rothoni,Bessie MitsikopoulouCan you feel it? (Channing Tatum, Rich Mix, 2019), and He’s Dead (Marikiscrycrycry, The Yard, 2020). The text was written between 2020 and 2021, when theatres, performance venues—like all public venues—were closed. ‘Live’ performance, or embodied co-presence, became severely restricted. It then seem

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Paolo Ni?o Valdez,Neslie Carol Tan “performative & collaborative explorations” and “improvisations in the unknown of the other’s gesture”. Through regular practice they developed what they started to call a “diffractive thinking”, meaning a thinking where there is no real beginning and no end, where there is no order. They always st

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Priscilla Angela T. Cruz,Ahmar Mahboob in) the agential movements, energies, dynamics and between of human-rock-thump-sit-child-leap-spin-drop-carry-light-smoke-billow-slide-run-wet-feet-rest. Reading as participation, collaboration, co-mingling and intra-acting.

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Entanglements and the Many-Worlded , of Research-Based Practice, Practice-Based Research, Practice-aemporality; the material of justice or justice-mattering in and beyond cause and effect; eros and the erotic in affective and sensate registers and Western epistemic practices as they confront the many worlds implicit in artistic research knowings.

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