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Titlebook: Devotional Hindu Dance; A Return to the Sacr Sabrina D. MisirHiralall Book 2021 The Author(s), under exclusive license to Springer Nature S

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發(fā)表于 2025-3-21 16:25:25 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Devotional Hindu Dance
副標(biāo)題A Return to the Sacr
編輯Sabrina D. MisirHiralall
視頻videohttp://file.papertrans.cn/271/270355/270355.mp4
概述Offers a clear history of Hindu dance.Explores postcolonialism, Hindu philosophy, religion, and pedagogy.Serves as a case study in dance education
圖書封面Titlebook: Devotional Hindu Dance; A Return to the Sacr Sabrina D. MisirHiralall Book 2021 The Author(s), under exclusive license to Springer Nature S
描述.This book sheds light on the purpose of Hindu dance as devotional. Dr. Sabrina D. MisirHiralall explains the history of Hindu dance and how colonization caused the dance form to move from sacred to a Westernized system that emphasizes culture.? Postcolonialism is a main theme throughout this text, as religion and culture do not remain static. MisirHiralall points to a postcolonial return to Hindu dance as a religious and sacred dance form while positioning Hindu dance in the Western culture in which she lives..
出版日期Book 2021
關(guān)鍵詞Hindu dance; Bharata Natyam; Kuchipudi; Indian Classical Dance; Hinduism; Postcolonialism
版次1
doihttps://doi.org/10.1007/978-3-030-70619-7
isbn_ebook978-3-030-70619-7
copyrightThe Author(s), under exclusive license to Springer Nature Switzerland AG 2021
The information of publication is updating

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Religion and Culture in the History of Hindu Dance Education,based dance institutions adhere to a Western educational system that dismisses the sacred ethic of Hindu dance in a manner that disregards the traditional religious-educational system of Hindu dance. Current Hindu-based dance institutions that claim to maintain a tradition of Hindu dance focus on pe
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Kevin Dew,Supuni Liyanagunawardenaeach about Hinduism through Hindu dance. Ekalavya and Guru Dronaacharya, in the historical . (Chopra and Chopra, 2001; Dharma, 1999), provide an example of the importance of prerequisites. In addition, I discuss how dance students should prepare to learn Hindu dance, whereas viewers ought to prepare
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https://doi.org/10.1007/978-3-031-25110-8 to learn about Hindu philosophy in a manner that considers the component of devotion. In this self-study project, I explicitly focus my attention on devotion as a part of Hindu dance because I sense that Indian classical Hindu dancers today often dance without devotion. Consequentially, Hindu dance
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