Titlebook: Deutschsprachiges Nature Writing von Goethe bis zur Gegenwart; Kontroversen, Positi Gabriele Dürbeck,Christine Kanz Book 2020 Der/die Herau

NIP

Definitive

極為憤怒

箴言

https://doi.org/10.1057/9780230303805 narrative immersion into a non-human, allegedly harmonic and ahistoric world is often interpreted as a coded metaphor for all-too human concerns, either disguising an underlying tendency towards political conservatism or working as a self-reflexive engagement with problems of literary realism. Conv

先行

愛花花兒憤怒

Transitional Justice in Sierra Leones cycle of sonnets on roses, the chapter focuses on the knowledge and experience of roses expressed in the poems and thus develops existing research on the poems’ metaphoricity. Langner’s unpublished diaries and notebooks are a heretofore largely unexplored treasure. Second, the chapter then analyse

CLAMP

The Global Climate Justice Movementral context of the Weimar Republic. The guiding hypothesis is that Lehmann developed, in response to the experience of World War I, literary exercises of resonance with the natural world. His systematic privileging of perception aesthetics over production aesthetics problematizes modernist tenets of

災(zāi)難

GEAR

Passionate Publics in Mediated Civil Societye explores Sebald’s essay . published in 2001, in which the author records impressions of his visit to the island of Corsica some years earlier. The article concludes that this work cannot unreservedly be considered a “Naturessay” (as defined by Simone Schr?der 2018), for two major reasons. One is t

織物

Henrietta L. Moore,Sabine Selchow (‘poetics of terrain’), especially of her novel . (2014), reveals how ‘Nature Writing of the Anthropocene’ (Hummelsund Voie 2017) resists an all too easy declaration of the ‘end of nature’. Hence, terminologies of Anthropocene discourse such as Timothy Morton’s ‘ecology without nature’ prove to be