Titlebook: Detective Fiction and the Problem of Knowledge; Perspectives on the Antoine Dechêne Book 2018 The Editor(s) (if applicable) and The Author

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高歌

螢火蟲

手術(shù)刀

condemn

駕駛

Paul Auster’s t discussing important traits of the metacognitive genre such as the figure of the detective-writer, the ., locked rooms, transparent mirrors, reflective windows, and, of course, the city background which frequently makes the detectives feel, in Baudelaire’s terms, “anywhere out of the world.”

駕駛

Herman Melville’s “Bartleby, the Scrivener: A Story of Wall Street”most inscrutable characters in the history of literature. Here, I primarily focus on the figure of the living dead as well as on the scrivener’s subversive use of language as an uncompromising stance against the too positivistic world he lives in. A comparative reading of “Bartleby” as a metacogniti

濕潤(rùn)

Samuel Beckett’s the motif of the “strange loop,” while also humorously capturing the potential dehumanization, the perpetual disintegration and privation of the human becoming inhuman in an endless process of non-becoming. In this chapter, I focus on Molloy’s grotesque behaviors and the abject depictions of his bod

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Roberto Bola?o’s the familiar ratiocination format. The hellish atmosphere and historical background (Paris after the Great War) of Bola?o’s novel also suggest that melancholia is an inherent shadow of human nature, a painful condition which is suffocating for most of Bola?o’s characters who crumble under the weigh

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