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Titlebook: Design of the Unfinished; A New Way of Designi Luciano Crespi Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive li

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樓主: osteomalacia
11#
發(fā)表于 2025-3-23 12:05:15 | 只看該作者
Nature and Anti-nature. The Fractals of the Unfinishedntifiable. These “no man’s lands”, which also evoke the metropolis “non-places”, however, contain a great use and integration potential that could be developed through the rules of self-similarity which are present in nature and art, as well as in the territory architectures. The Anti-nature crisis,
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發(fā)表于 2025-3-23 14:15:41 | 只看該作者
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發(fā)表于 2025-3-23 20:27:10 | 只看該作者
The Polysemantic Nature of Music. A Hermeneutical Perspective. underlies musical discourse in three ways, which are all intertwined with one another, while maintaining their own specificity. These three declinations define the . as a synonym of ., . and .. Firstly, the . can be intended not in a pejorative acceptation, as common sense would suggest, but rathe
14#
發(fā)表于 2025-3-23 23:19:33 | 只看該作者
For a Soft Law of Contemporary Project: Food for Thought and a Manifestolements, such as the persistence of the hermeneutics of a ‘long present’—which often becomes an alibi through nostalgic or inertial visions—and superstructural factors, such as the frenzy of regulations and procedures of our ‘defensive bureaucracy’. As the pandemic is generating a new idea of future
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發(fā)表于 2025-3-24 03:31:55 | 只看該作者
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發(fā)表于 2025-3-24 10:31:13 | 只看該作者
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發(fā)表于 2025-3-24 12:09:04 | 只看該作者
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發(fā)表于 2025-3-24 17:32:44 | 只看該作者
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發(fā)表于 2025-3-24 21:16:33 | 只看該作者
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發(fā)表于 2025-3-24 23:21:26 | 只看該作者
https://doi.org/10.1007/978-3-031-21648-0as chaos objects, but as real models according to fractal rules. In their still unfinished dimension, they can integrate and better define their surrounding space, making it reconvertible to countless new functions, both social and aesthetic.
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