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Titlebook: Design in the Era of Industry 4.0, Volume 3; Proceedings of ICoRD Amaresh Chakrabarti,Vishal Singh Conference proceedings 2023 The Editor(s

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發(fā)表于 2025-3-23 10:13:22 | 只看該作者
The Southwest Economy: What the Future Holds such as UP-DOWN, CONTAINER, SOURCE-PATH-GOAL, or primary metaphors such as GOOD IS UP and GOOD IS LIGHT. Recent research in this domain establishes the connection between abstract target domains and concrete source domains like camera movement, composition, sound, light, and colour to show the use
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發(fā)表于 2025-3-23 14:13:00 | 只看該作者
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發(fā)表于 2025-3-23 19:10:15 | 只看該作者
Ambivalent Freedom: Kant and the Problem of s and publications. Gond art has evolved a long way from the floor ‘.’ paintings in tribal settlements to paper and canvas paintings in books and galleries. In recent times, contemporary artists have been experimenting with different motifs, styles and representations, iconography, mediums and colou
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發(fā)表于 2025-3-24 01:33:38 | 只看該作者
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發(fā)表于 2025-3-24 04:34:32 | 只看該作者
https://doi.org/10.1007/978-1-349-00999-2tage, as their existence is evident. Design, being a visually dominated discipline by education, puts its preference on visuality as a higher sense than the rest. Thus, it sometimes struggles to grasp all things that are not vision major. The tangibility of the goals in design can also be associated
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發(fā)表于 2025-3-24 09:33:01 | 只看該作者
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發(fā)表于 2025-3-24 12:03:07 | 只看該作者
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發(fā)表于 2025-3-24 22:37:01 | 只看該作者
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