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Titlebook: Design Representation; Gabriela Goldschmidt,William L. Porter Book 2004 Springer-Verlag London 2004 architecture.computer-aided design (CA

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11#
發(fā)表于 2025-3-23 09:56:39 | 只看該作者
https://doi.org/10.1007/978-3-642-56067-5book is a collection of short articles about issues that pertain to architecture and to the architect’s activities and concerns. We would like to adopt a similar strategy. At the outset we should be asking: what (if anything) is design representation? Instead, we shall briefly outline some of the un
12#
發(fā)表于 2025-3-23 14:50:20 | 只看該作者
Gabriela Goldschmidt,William L. PorterAn interdisciplinary approach with varied, innovative methods of treating design.Focussed around the research activities of many people rather than being an expansion of a single author’s ideas.Approa
13#
發(fā)表于 2025-3-23 19:36:37 | 只看該作者
14#
發(fā)表于 2025-3-24 01:01:40 | 只看該作者
15#
發(fā)表于 2025-3-24 05:25:06 | 只看該作者
16#
發(fā)表于 2025-3-24 08:55:00 | 只看該作者
Design Representation: Private Process, Public Imaget a similar strategy. At the outset we should be asking: what (if anything) is design representation? Instead, we shall briefly outline some of the underlying dimensions that we think are of importance when considering design representation, architectural or otherwise.
17#
發(fā)表于 2025-3-24 14:31:33 | 只看該作者
Fluorescence Spectroscopy and Microscopywn sense of the world and identity in the world. Buildings tell stories about themselves, their materials, their methods of assembly, their relationship to their locale; and they provide opportunities for contemplation, enjoyment, and inspiration that is independent of cultural or personal reference.
18#
發(fā)表于 2025-3-24 16:42:11 | 只看該作者
https://doi.org/10.1007/978-3-642-56067-5ches to help them get ideas (Lawson 1994). Designers commonly speak of “holding a conversation with a drawing.” My colleagues and I had similar responses when as part of a UK government-funded team research project, we interviewed 35 fashion designers about their use of sketches (Makirinne-Crofts et al. 1992).
19#
發(fā)表于 2025-3-24 20:55:23 | 只看該作者
Designers’ Objectswn sense of the world and identity in the world. Buildings tell stories about themselves, their materials, their methods of assembly, their relationship to their locale; and they provide opportunities for contemplation, enjoyment, and inspiration that is independent of cultural or personal reference.
20#
發(fā)表于 2025-3-25 02:02:44 | 只看該作者
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