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Titlebook: Desert Islands and the Liquid Modern; Barney Samson Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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發(fā)表于 2025-3-23 11:25:56 | 只看該作者
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發(fā)表于 2025-3-24 01:01:04 | 只看該作者
Book 2020ne cartoons, cinema, video games, and comedy, drama and reality television. Drawing on Zygmunt Bauman’s theory of liquid modernity, desert island texts are analysed in terms of their intersections with repressive and seductive mechanisms of power. Chapters focus on the desert island as: a conflictin
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發(fā)表于 2025-3-24 04:58:54 | 只看該作者
Book 2020 bound up with mobility and instantaneity; and an expression of radical individuality and underdetermined identity. The desert island in popular culture is shown to reflect, endorse and critique a profoundly consumerist society that seduces uswith promises of coherence, with the threat of repression looming if we do not conform..
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發(fā)表于 2025-3-24 09:11:17 | 只看該作者
underdetermined identity. The desert island in popular culture is shown to reflect, endorse and critique a profoundly consumerist society that seduces uswith promises of coherence, with the threat of repression looming if we do not conform..978-3-030-57048-4978-3-030-57046-0
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發(fā)表于 2025-3-24 13:34:55 | 只看該作者
https://doi.org/10.1007/978-3-030-57046-0Desert Island; Postwar; Anglophone; Screen Advertising; Magazine Cartoon; Liquid Modernity
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發(fā)表于 2025-3-25 01:48:37 | 只看該作者
Comparative and Policy Conclusionsways in which representations of desert islands characterise identity as structured by choice. In Desert Island Discs (1942–), the island is the vehicle for autobiographical narratives that construct identity as coherent and regulated by patriarchal authority. This is complicated by the endorsement
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