Titlebook: Dementia, Narrative and Performance; Staging Reality, Rei Janet Gibson Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Peopl

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assail

Rehearsing a Theory of Dementia as Performanceand/or as creative adaptations to corporeal and neurological changes, rather than just as signs of vanishing self-identity in the progress of incurable and disabling illnesses. She also examines dementia activism as a form of cultural performance.

窗簾等

Uncultured

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蹣跚

Einleitung und thematische Abgrenzung,ture research possibilities, arguing that there is clearly more work to be done at the intersection of theatre, performance, and dementia studies. She contends that theatre and performance studies scholars should be guided by the question: where do theatre and performance appear within dementia studies, and what work are they being asked to do?

FELON

field of dementia and the arts as well as in ageing and hea.Focusing mainly on case studies from? Australia and the United States of America, this book considers how people with dementia represent themselves and are represented in ‘theatre of the real’ productions and care home interventions, asses

Cursory

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chastise

“I Don’t Want to Disappear”: Dementia and Public Autobiographical Performance (TWIMC?), both a play and a therapy, operating both virtually and as a live theatre piece, Gibson galvanises numerous?issues in the autobiographical performance literature, reframing well-worn issues as complex and fresh: none more so than the construction of the self and its relationship to narrative, identity, and representation.