Titlebook: Deleuze and Beckett; S. E. Wilmer,Audron? ?ukauskait? Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Deleuze.Beckett.twent

打包

或者發(fā)神韻

A Crystal-Theatre: Beckett, Deleuze and Theatre’s Crystalline Potentialore comic his performance becomes. The more frantically his warnings sound, the louder an audience will applaud his apparent virtuosity. And Kierkegaard tells us that this is how the world will end. We might consider the root of the word ‘a(chǎn)pocalypse’ in the Greek ., signifying an unveiling or uncove

無(wú)王時(shí)期,

的’

過(guò)去分詞

Initiative

Breakdown or Breakthrough? Deleuzoguattarian Schizophrenia and Beckett’s Gallery of Moribundsy, Deleuzoguattarian conceptions of nomad subjectivity, embodied in ‘the schizo’ or ‘schizophrenic process’ in ., are famously cross-referenced with Beckett’s work even on the first two pages of this co-authored volume:

Retrieval

放逐某人

Ambulatory

Anerkennung des Heliozentrismus, sullied by the taint of mere illusion. For his audience at least, the clown’s fire belongs to an imaginary world divided from their own. Even as the theatre’s costumes, masks and machinery burn backstage, the theatrical spectacle simmers at a fatal remove.

Pericarditis

A Crystal-Theatre: Beckett, Deleuze and Theatre’s Crystalline Potential sullied by the taint of mere illusion. For his audience at least, the clown’s fire belongs to an imaginary world divided from their own. Even as the theatre’s costumes, masks and machinery burn backstage, the theatrical spectacle simmers at a fatal remove.