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Titlebook: Degrowth Decolonization and Development; When Culture Meets t Milica Ko?ovi? De Santo,Stéphanie Eileen Domptail Book 2023 The Editor(s) (if

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31#
發(fā)表于 2025-3-26 22:05:43 | 只看該作者
Die Bundesrepublik in den achtziger Jahrenhistory studies societal phenomena such as culture, politics and economics through the lens of artworks, and can thus also be applied to climate-related disasters. But is there a universal response in art creation to catastrophes—particularly in intercultural comparison? In order to answer this ques
32#
發(fā)表于 2025-3-27 02:40:08 | 只看該作者
33#
發(fā)表于 2025-3-27 08:30:17 | 只看該作者
34#
發(fā)表于 2025-3-27 12:58:59 | 只看該作者
35#
發(fā)表于 2025-3-27 16:51:40 | 只看該作者
The Progressivity and Transformative Role of Culture,s started to appear to capture in?a more excellent picture of development. The culture slowly became . by?allowing the politics and policy to become social constructs (through self-governance socialism) and not the exclusively the construct of political elites. . the sense of total development. Hist
36#
發(fā)表于 2025-3-27 20:43:23 | 只看該作者
Anticipation of the Degrowth Concept in the Socialist Republic of Poland of the 1970s,hat time, the Berlin Wall symbolised the divisions between two geopolitical structures, namely the West, perceived as a guarantor of democracy, and the East, dominated by the Soviet sphere of influence. However, both sides were full of anticipation, and tried to predict the directions the world woul
37#
發(fā)表于 2025-3-27 23:37:40 | 只看該作者
38#
發(fā)表于 2025-3-28 05:01:27 | 只看該作者
On Cultural Direction of Socio-Ecological Transformations: Lessons from Degrowth and ,logical crises, but also by dualistic and hierarchical structures of oppression. It’s a civilisationary crisis that needs to be confronted in all its intersecting dimensions. Anthropocentrism is one of the defining features of this new geological epoch, and stands in the way of more profound socioec
39#
發(fā)表于 2025-3-28 09:32:27 | 只看該作者
40#
發(fā)表于 2025-3-28 11:01:44 | 只看該作者
Aestheticizing Catastrophes?,history studies societal phenomena such as culture, politics and economics through the lens of artworks, and can thus also be applied to climate-related disasters. But is there a universal response in art creation to catastrophes—particularly in intercultural comparison? In order to answer this ques
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