Titlebook: Defiant Itineraries; Caribbean Paradigms Lydia Platón Lázaro Book 2015 Palgrave Macmillan, a division of Nature America Inc. 2015 dance.da

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mercenary

reaching

https://doi.org/10.1007/978-3-030-93492-7his book in terms of their particular ethnographic projects about Haiti, here they are read together to explore several issues where their artistic languages had different repercussions and ended up representing different institutional legacies in dance and film. Dunham’s work connects most directly

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https://doi.org/10.1007/978-3-030-93492-7he Americas because it refers to the opposition of civilization and savagery in the light of the imperial and colonial practices upon subjects. And yet, as the newspaper article reveals, progress in Haiti in 1936 also referred to the excitement of change, transition, and potential stability after po

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Reference work 2023Latest editionribes arriving in Haiti with “a carefully conceived plan for a film in which Haitian dance, as purely a dance form, would be combined (in montage principle) with various non-Haitian elements” (5). The first encounter with Caribbean geography is rendered spatially in both of these autoethnographic te

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