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Titlebook: Deep-Time Images in the Age of Globalization; Rock Art in the 21st Oscar Moro Abadía,Margaret W. Conkey,Josephine McD Book‘‘‘‘‘‘‘‘ 2024 The

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發(fā)表于 2025-3-21 18:32:50 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Deep-Time Images in the Age of Globalization
副標(biāo)題Rock Art in the 21st
編輯Oscar Moro Abadía,Margaret W. Conkey,Josephine McD
視頻videohttp://file.papertrans.cn/265/264695/264695.mp4
概述First book to examine the impact of globalization in rock art research.Offers groundbreaking approach to rock art research.Presents Interdisciplinary approach to rock art and interpretation.This book
叢書名稱Interdisciplinary Contributions to Archaeology
圖書封面Titlebook: Deep-Time Images in the Age of Globalization; Rock Art in the 21st Oscar Moro Abadía,Margaret W. Conkey,Josephine McD Book‘‘‘‘‘‘‘‘ 2024 The
描述.This open access volume explores the impact of globalization on the contemporary study of deep-time art. The volume explores how early rock art research’s Eurocentric biases have shifted with broadened global horizons to facilitate new conversations and discourses in new post-colonial realities. ?The book uses seven main themes to explore theoretical, methodological, ethical, and practical developments that are orienting the study of Pleistocene and Holocene arts in the age of globalization. Compiling studies as diverse as genetics, visualization, with the proliferation of increasingly sophisticated archaeological techniques, means that vast quantities of materials and techniques are now incorporated into the analysis of the world’s visual cultures.?..Deep-Time Images in the Age of Globalization aims to promote critical reflection on the multitude of positive – and negative – impacts that globalization has wrought in rock art research. The volume brings new theoretical frameworks as well as engagement with indigenous knowledge and perspectives from art history. It highlights technical, methodological and interpretive developments, and showcases rock art characteristics from previo
出版日期Book‘‘‘‘‘‘‘‘ 2024
關(guān)鍵詞Archaeology and globalization; Artifact and art at Diepkloof Rock Shelter; Art Historical Theory and M
版次1
doihttps://doi.org/10.1007/978-3-031-54638-9
isbn_softcover978-3-031-54640-2
isbn_ebook978-3-031-54638-9Series ISSN 1568-2722 Series E-ISSN 2730-6984
issn_series 1568-2722
copyrightThe Editor(s) (if applicable) and The Author(s) 2024
The information of publication is updating

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Morphology in Skilled Word Recognitionapes: its past landforms; its palaeo-entrance; its palaeo-landmarks and pathways; and its past rock surfaces. Each brings new insights on the physical configuration of a rock art place, as context of its cultural significance and engagements.
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The Divide Between ‘European’ and ‘Indigenous’ Rock Arts: Exploring a Eurocentic Bias in the Age of ditional belief that the temporal ‘origins’ of rock art was in Europe cannot be sustained. Similarly, innovative theoretical approaches mainly based on Indigenous rock art have generated many new avenues of research for the meaning, the making, and the context of rock images. With reference to the h
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Rock Art Research and Knowledge-Production in the Context of Globalizations. A Comparative Approach l conditions, yet are characterised by the globalization of theoretical concepts from central areas of traditional academic theoretical production (i.e. Europe and USA), towards South America and Canada. In sum, we show how interpretations of deep-time Indigenous rock art in Eastern Canada and in Ar
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