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Titlebook: Decolonial Aesthetics II; Modes of Relating Patrick Oloko,Michaela Ott,Clarissa Vierke Book 2023 The Editor(s) (if applicable) and The Auth

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樓主: SCOWL
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發(fā)表于 2025-3-26 22:55:32 | 只看該作者
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發(fā)表于 2025-3-27 03:42:33 | 只看該作者
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發(fā)表于 2025-3-27 08:34:03 | 只看該作者
On Being a Malagasy Writer Living in the North and the Criticism/Literary Production Nexus: Conversaces for the writing process as well as for the writing career. Naivo offers valuable insights into the importance of the link between criticism and literary production particularly in the Malagasy context.
34#
發(fā)表于 2025-3-27 10:30:56 | 只看該作者
Book 2023m their own different points of view. The texts in this volume all deal with the imperative of ‘decolonization’: they try to highlight aesthetic strategies for the (re)discovery of unthematized, misappropriated, transcultural and even transcontinental histories and memories and aesthetic practices t
35#
發(fā)表于 2025-3-27 16:50:27 | 只看該作者
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發(fā)表于 2025-3-27 18:51:25 | 只看該作者
Preface and A Brief Guide to the Chapters,ople. It would appear that centering dissent, polyvocality, and collaboration is a key approach to changing the narrative of exhibitions. Supported by the “fish model” of collective decision-making, this study analyzes the curatorial approach of the exhibition . (Cologne, Germany, 2021). In particul
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發(fā)表于 2025-3-27 23:12:42 | 只看該作者
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發(fā)表于 2025-3-28 02:43:06 | 只看該作者
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發(fā)表于 2025-3-28 08:23:14 | 只看該作者
Deployable Multimodal Machine Intelligence of neo-liberalism and late capitalism. Instead of favoring ‘de-colonial’ and ‘neo-tribalist’ disruption, the essay maps out modes of relating politically as well as aesthetically, reading the former as a solidarity across identities, and the latter decidedly not as representation, but as capture of
40#
發(fā)表于 2025-3-28 12:48:46 | 只看該作者
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