Titlebook: Decadent Poetics; Literature and Form Jason David Hall (Lecturer in English),Alex Murray Book 2013 Palgrave Macmillan, a division of Macmi

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Kurzfazit und kritische Reflexionhe Latin ., a ‘falling down’ or ‘falling away’, and the .gives the following definition: ‘The process of falling away or declining (from a prior state of excellence, vitality, prosperity, etc.); decay; impaired or deteriorated condition.’. In .(1985) John R. Reed suggests that we need to avoid using

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https://doi.org/10.1007/978-3-663-08339-9 .decadence. This era remains more or less synonymous with the ostensibly dissipated careers of Ernest Dowson, Lionel Johnson, and Oscar Wilde: three undeniably gifted writers whose premature demises at the turn of the century prompted their most distinguished contemporary, W. B. Yeats, to character

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Heinz Penzlin Professor i. R. Dr. Dr. h. c. of the twentieth century, and it is no coincidence that these attempts to codify a national metre were concurrent with the decadent or symbolist ‘movements’ that tended towards the perceived ‘foreignness’ of French or Classical metres. A number of factors brought about the desire for a stable narra

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https://doi.org/10.1007/978-3-662-48128-8n others, but he neglected none.’. Although this comment targets a particular aspect of Swinburne’s work and ignores poetry that does not fit with it—his Villon translations, for instance, or imitations of Border ballads—even his admirers find it difficult to dispute where much of his oeuvre is conc

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,Das Ph?nomen der Rückverlagerung,T. S. Eliot explained that though the question ‘why is there no poetic drama today’ had ‘become insipid, almost academic’, it had to be raised again because poets and audiences wanted verse plays.. Reacting against the legacy of poetic dramas in the nineteenth century, Eliot pro- vocatively suggeste

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Verena Geweniger,Alexander Bohlandervention of the lyre. The song is ominous in its marriage of murder and music, and so it may also be a fine point of departure for a discussion of Oscar Wilde’s tragedy .as a murderous and musi- cal keynote for Symbolist aesthetics. In Homer, we are thrown together with this term ., which is derived

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