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Titlebook: Decadence, Degeneration, and the End; Studies in the Europ Marja H?rm?nmaa (senior lecturer in Italian),Chris Book 2014 Marja H?rm?nmaa and

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31#
發(fā)表于 2025-3-26 22:13:35 | 只看該作者
32#
發(fā)表于 2025-3-27 04:33:58 | 只看該作者
Late Antiquity as an Expression of Decadence in the Poetry of Constantine P. Cavafy and Stefan Georgctive historicism.” The latter term, suggested by Dirk Niefanger,. denotes an aesthetical procedure in literature, which responds to modern experiences of alienation by depicting them in an historical context, so that they become more familiar. In this way, new relationships arise between history an
33#
發(fā)表于 2025-3-27 06:52:42 | 只看該作者
34#
發(fā)表于 2025-3-27 13:14:51 | 只看該作者
Decadent Tropologies of Sicknessalue at the expense of health; moreover, the embrace of decay characteristic of the movement constitutes in itself a manifesto for sickness. A line from a decadent credo by “the chorus of the insane” in the Finnish novel . (1905), by Joel Lehtonen, says as much: “And we want to be decadent, if every
35#
發(fā)表于 2025-3-27 13:43:07 | 只看該作者
36#
發(fā)表于 2025-3-27 18:35:45 | 只看該作者
Decadence, Melancholia, and the Making of Modernism in the Salome Fairy Tales of Strindberg, Wilde, , operas, and poems presenting variations in the Gospels’ accounts of the martyr’s demise. In particular, artists and writers were enraptured by the “dancing daughter” of Herodias, Salome.. On the dramatic stage, the best-known production (or perhaps most enduring) treatment was Oscar Wilde’s play .
37#
發(fā)表于 2025-3-28 00:03:14 | 只看該作者
38#
發(fā)表于 2025-3-28 03:55:50 | 只看該作者
39#
發(fā)表于 2025-3-28 09:28:21 | 只看該作者
Death at Sea: Symbolism and Charles Cottet’s Subjective Realism.. Although almost forgotten today, in the period prior to World War One, Cottet’s works were prominent in public exhibitions; they received enthusiastic critical attention and were avidly collected.. Many critics noted that his focus on rural life, rooted in the specifics of Breton coastal culture,
40#
發(fā)表于 2025-3-28 12:12:19 | 只看該作者
The Seduction of Thanatos: Gabriele D’Annunzio and the Decadent Death way or another often appeared in his childhood.’ Death as a personal muse is constantly present in his other nonfictional works through his recollection of deceased friends, and it is also an important element in his literary production. Many of his plays are constructed around death,. and death is
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