Titlebook: Debating Gender in Early Modern England, 1500–1700; Cristina Malcolmson (Associate Professor of Englis Book 2002 Cristina Malcolmson and M

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書目名稱Debating Gender in Early Modern England, 1500–1700影響因子(影響力)




書目名稱Debating Gender in Early Modern England, 1500–1700影響因子(影響力)學(xué)科排名




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書目名稱Debating Gender in Early Modern England, 1500–1700被引頻次




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書目名稱Debating Gender in Early Modern England, 1500–1700讀者反饋




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閃光東本

Women’s Popular Culture? Teaching the Swetnam Controversyders how to teach the bard alongside aristocratic women writers. Such pedagogical approaches may help to de-center Shakespeare’s authority. But they also run the risk of merely recanonizing elite authors and genres in ways that sidestep the more radical implications of a cultural studies approach to

爵士樂

The Broadside Ballad and the Woman’s Voicenineteenth century.. The histories of the traditional and the broadside ballad are closely interconnected,. and it would be misleading to regard them as completely separate genres, even if their origins might appear to be antithetical. Singing, like story telling, was very much a woman’s act in the

白楊魚

“Weele have a Wench shall be our Poet”: Samuel Rowlands’ Gossip Pamphletsprentice further argues that the gentleman “may make vertious use of this Booke divers wayes.” Because he may summon at will the bodies and voices of the three women in his room alone, the book may keep him “from Dice, Taverne, Bawdy-house, and so forth.” One wonders what else the gentleman might do

白楊魚

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彎曲的人

Monstrous Births and the Body Politic: Women’s Political Writings and the Strange and Wonderful Travhey have wherein they have lavished out their words freely hath been so long, that they know we cannot catch hold of them to pull them out and they think that we will not write to reprove their lying lips.”. Two decades later, Constantia Munda also wrote scornfully of men, “And Printing, that was in

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