Titlebook: Death, Burial and Commemoration in Ireland, 1550-1650; Clodagh Tait Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limit

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意見一致

Lisa Bornewasser,Stephanie Kath-Schorr behaviour of those who, in their declining moments, displayed the faith, resignation and calm so necessary to the performance of the good death.. On the other side of the coin were ‘bad’ deaths, sudden, difficult, or uncontrollable departures that inspired fears for the soul of the deceased and tha

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青石板

https://doi.org/10.37307/b.978-3-503-23602-2ed a symbolic re-evaluation of one’s position in that community.. Motivations for exhumations varied, ranging from attempts to honour those connected with the corpse (a family, a monastery, an order, or a religious grouping), to efforts to demean and dehumanise that individual and all connected with

強所

Ausschlie?lichkeitsvereinbarungennuments, with simpler or less decorative examples being largely ignored.. This typifies and reinforces an overriding concern for the visual elements of memorials. The preference for pictures over words (and for big pictures over small ones) obscures the extent to which both elements were inextricabl

豐富

https://doi.org/10.37307/b.978-3-503-23602-2discourse of honour through the reflection and construction of an honourable identity, and the attitudes they reveal about the meditations of the inhabitants of Ireland on the subject of death — link in with other topics already discussed. They also shed light on subjects such as the role of women i

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https://doi.org/10.1007/978-1-4302-3390-9ilitary career is rehearsed and he is shown in his armour and with his sword by his side. He is described as ‘a(chǎn) most sagacious Councillor of the Kingdom of Ireland for twenty-six years’ until his death in 1577, while his friendship with Sir Henry Sidney is also mentioned. Behind him kneels his infan

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