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Titlebook: David Bowie and Film; Hooked to the Silver Stephen Glynn Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license

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發(fā)表于 2025-3-21 18:36:46 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱David Bowie and Film
副標題Hooked to the Silver
編輯Stephen Glynn
視頻videohttp://file.papertrans.cn/264/263847/263847.mp4
概述Analyzes David Bowie‘s appearances in film.Investigates how Bowie’s performative style fits harmoniously with alternative production codes and aesthetics.Combines textual analysis with production and
圖書封面Titlebook: David Bowie and Film; Hooked to the Silver Stephen Glynn Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license
描述.This book constitutes the first monograph dedicated to an academic analysis of David Bowie’s appearances in film. Through close textual analysis together with production and reception histories, Bowie’s ‘silver screen’ career is explored in full. The book covers performance documentaries such as .Ziggy Stardust and the Spiders from Mars., star vehicles ranging from the eulogised .The Man Who Fell to Earth. to the excoriated .Just a Gigolo., plus roles from the horror chic of .The Hunger. and cult fantasy of .Labyrinth .to the valiant high-brow .Baal. and vainglorious high-budget .Absolute Beginners., ending with Bowie as Bowie in .Bandslam. and others as ‘Bowie’ in .Velvet Goldmine. and .Stardust.. Alongside showing his willingness to experiment (and at times fail) across a variety of genres, this study investigates Bowie’s performative style that, while struggling to accommodate the requirements of cinematic realism, fits more harmoniously with alternative production codes and aesthetics. More broadly, by exploring the commercial, socio-cultural and ideological significance of Bowie on film, the book demonstrates how notions of gender, sexuality and identity formation, plus commo
出版日期Book 2022
關(guān)鍵詞Stardom; Davie Bowie; Performance; Ziggy Stardust and the Spiders from Mars; The Man Who Fell to Earth; L
版次1
doihttps://doi.org/10.1007/978-3-031-13401-2
isbn_softcover978-3-031-13403-6
isbn_ebook978-3-031-13401-2
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Portal Hypertension in Alcoholic Cirrhosisnd comedy, then amidst an overwrought clash between Eastern and Western acting styles. By elaborating on how the films overlap with Bowie’s personal mythology and employ his unifying charisma, a (limited) defence is offered for what appear to be distinctly ‘problematic’ fits for the star’s known image.
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發(fā)表于 2025-3-22 10:48:14 | 只看該作者
Asian Women in Leadership: An Introductionttered and pleasantly bewildering, lives up to Bowie’s promise of instability’ (., 24 March 2013). Instability: that same promise, for good and/or ill, is delivered across Bowie’s work in film, heavily represented at the exhibition, and the focus of this monograph.
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發(fā)表于 2025-3-23 00:32:09 | 只看該作者
Frank Isgro,A.-H. Kiessling,W. Saggaurs is shown to invest his playing of inventor Nikola Tesla in the otherwise fictional .. Finally, his cameos as ‘David Bowie’ in . and . are contextualised with his status as fashion icon and internet entrepreneur.
9#
發(fā)表于 2025-3-23 03:45:23 | 只看該作者
,Bowie Goes Genre-Hopping—Comedian, Chameleon, Corinthian and Caricature,ile contrasts exist in the extent to which differing generic codes and conventions profitably intersect or ‘fit’ with the increasingly venerated star’s screen performances. To aid analysis, the chapter pairs examples that are adjudged to have contrasting levels of achievement.
10#
發(fā)表于 2025-3-23 06:54:59 | 只看該作者
,Bowie Does Biopics—Watch That Man,rs is shown to invest his playing of inventor Nikola Tesla in the otherwise fictional .. Finally, his cameos as ‘David Bowie’ in . and . are contextualised with his status as fashion icon and internet entrepreneur.
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