Titlebook: Darkest Italy; The Nation and Stere John Dickie Book 1999 Palgrave Macmillan, a division of Nature America Inc. 1999 culture.Europe.France.

婉言

書目名稱Darkest Italy影響因子(影響力)




書目名稱Darkest Italy影響因子(影響力)學(xué)科排名




書目名稱Darkest Italy網(wǎng)絡(luò)公開度




書目名稱Darkest Italy網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Darkest Italy被引頻次




書目名稱Darkest Italy被引頻次學(xué)科排名




書目名稱Darkest Italy年度引用




書目名稱Darkest Italy年度引用學(xué)科排名




書目名稱Darkest Italy讀者反饋




書目名稱Darkest Italy讀者反饋學(xué)科排名

短程旅游

A Word at War: The Italian Army and ,,rigandage. This was a stereotype that owed its force in large measure to the war fought by the Italian army against southern brigandage after the annexation of the Kingdom of the Two Sicilies. This chapter aims to analyze that campaign through the stereotypes, both of brigandage and of the South, th

值得尊敬

開始從未

The Power of the Picturesque: Representations of the South in the ,, to carve out a market across Italy for its products. In its efforts to follow, interpret, and mold the outlook of its readers, the . can give us an insight into how the South was perceived by the bourgeoisie at large in the magazine’s golden years between 1880 and 1900. As I will argue, a set of pr

FRONT

,Francesco Crispi’s ,,ary 1891, and then over two more between December 1893 and March 1896, when the disastrous defeat of Italian forces by an Ethiopian army at Adowa forced his resignation. Crispi has been described as the first literary hero of Italian politics, although his influence as a personality extended far bey

AXIOM

AXIOM

Coronary

一個(gè)姐姐

微不足道

The Power of the Picturesque: Representations of the South in the ,,turesque I will look at how the magazine constructed Southern Italy in relation to the cultural values it imputed to its readers. As elsewhere, my readings will also have theoretical as well as historical aims: in this case I will be attempting to provide a theoretical description of the imaginary d