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Titlebook: Dark Humour and Social Satire in the Modern British Novel; Triumph of Narcissis Lisa Colletta Book 2003 Palgrave Macmillan, a division of N

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書目名稱Dark Humour and Social Satire in the Modern British Novel
副標(biāo)題Triumph of Narcissis
編輯Lisa Colletta
視頻videohttp://file.papertrans.cn/261/260454/260454.mp4
圖書封面Titlebook: Dark Humour and Social Satire in the Modern British Novel; Triumph of Narcissis Lisa Colletta Book 2003 Palgrave Macmillan, a division of N
描述Colletta uses psychoanalytic theories of joke-work and gallows humour to argue that dark humour is an important, defining characteristic of Modernism. She brings together the usual suspects alongside more often overlooked writers from the period, and asks probing questions about the relationship between a dark humour that ‘revels in the non-rational, the unstable, and the fragmented, and resists easy definition and political usefulness‘ and the historical and social circumstances of the period. Colletta makes a compelling argument that probing deeply into the nature of humour or satire that define these ‘social comedies‘ brings to light a more complex, and more accurate, understanding of the social changes and historical circumstances that define the modern era.
出版日期Book 2003
關(guān)鍵詞British novel; Modernism; novel; Virginia Woolf; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781403981370
isbn_softcover978-1-349-52761-8
isbn_ebook978-1-4039-8137-0
copyrightPalgrave Macmillan, a division of Nature America Inc. 2003
The information of publication is updating

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,Astolpho Meets Sisyphus: Melancholy and Repetition in Anthony Powell’s ,ancholy that is captured in Anthony Powell’s first novel, . Both Waugh and Powell examine the social world of the disaffected, post—World War I generation; however, the tone with which they represent this world is radically different. Unlike the frenetic futility presented in . is marked by a crushi
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Notwendigkeit und Bereiche der Koordinationeams,”. a claim that he does not fully develop but treats as a bit of a digression. It will be Freud’s work on jokes that fully develops a theory connecting dream-work and jokework and focuses both on the process of humor and its role in overcoming both internal and external obstacles that would stand in the way of laughter.
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re that define these ‘social comedies‘ brings to light a more complex, and more accurate, understanding of the social changes and historical circumstances that define the modern era.978-1-349-52761-8978-1-4039-8137-0
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