Titlebook: Dao Companion to Xuanxue 玄學(xué) (Neo-Daoism); David Chai Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to

osteoclasts

W, Chong’s View of , and its Influence on W, Bi and G, Xiangive pursuits, which largely followed the methods devised by Wang. Wang has sometimes even been referred to as the first of the . scholars. In this chapter, I argue that W. Chong’s view of the connection between nature and allotment and its implications for spontaneity influenced . views of ., partic

人造

迅速成長(zhǎng)

H, Yan’s Collected Explanations on the tence and its ethical and political applications; it marks a radical departure from the Yin-Yang correlative philosophy of the Han dynasty that was grounded on the cosmology of primal energy. Modern scholars almost unanimously credit him for initiating a new trend of philosophical thinking that was

ANTI

Metamorphosis

J, Kang’s “On Dispelling Self-Interest”f Daoism. Just as his essay “On Nourishing Life” argued that physical longevity and spiritual integrity could only be had after one has mastered self-cultivation via tranquility and stillness, “Dispelling Self-Interest” makes a similar argument in the context of morality. To lack self-concern in mat

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The Aesthetics of Musical Emotion in J, Kang’s “Music has in It Neither Grief nor Joy”c Has in It Neither Grief nor Joy.” By detaching emotions from music, J. Kang made it possible for later musical aesthetics to pay greater attention to the structure of music. Instead of simply dismissing emotions from musical discussions, J. Kang seems to be arguing for the uplifting of musical emo

間接

The Ontology of Change: W, Bi’s Interpretation of the se of the deployment of key . concepts, such as being, non-being, oneness, and multitude, to discuss the sixty-four hexagrams. Viewing the hexagrams as symbols of time and space, W. Bi offers a philosophical reading of the . whereby the former manual of divination is transformed into a spirited medi

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Iatrogenic