Titlebook: Dante‘s Modern Afterlife; Reception and Respon Nick Havely (Senior Lecturer) Book 1998 Palgrave Macmillan, a division of Macmillan Publishe

Graves’-disease

和平主義者

使痛苦

伙伴

吞下

Moral Luck in the Second Circle: Dante and the Victorian Fate of Tragedyic: the story of Francesca da Rimini in Dante’s fifth canto of the . Although Dante’s whole poem is design-ated by him a . (for its middle status, mixed style, and junior relation to the . rather than its happy ending), the . contains many narratives of great men brought low, such as Count Ugolino w

使熄滅

PANIC

Dante and Louis MacNeice: A Sequel to the Commediaante. Dante is, however, present both near the beginning and at the end of MacNeice’s literary biography: at the time of his death he was starting to arrange a sequence of translations from the . for radio broadcast, and in . he tells how he sought a refuge in books in his early years at Marlborough

英寸

Purgatory Regained? Dante and Late Beckettpart remains, of one’s classics, to help one through the day’.. Among the smatterings of shattered classics that she quotes, Winnie makes a reference to ‘the sweet old style’, unmistakably alluding in Beckett’s newer, sourer style, to Dante’s . Of all ‘the classics , Dante is the one most alive in t

Bombast

Micòl(fā) and Beatrice: Echoes of the , in Giorgio Bassani’s motional and imaginative centre. Her beauty and vitality, overshadowed as they are by the reader’s foreknowledge of her terrible and anonymous death, together with the false glamour lent her by her family’s retreat into aristocratic seclusion, make it all too easy to see her as a purely symbolic, ev

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