Titlebook: Dante and Italy in British Romanticism; Frederick Burwick,Paul Douglass Book 2011 Frederick Burwick and Paul Douglass 2011 English literat

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History-Taking in Uveitis Patientsarreled with his travel companion, Henry Crabb Robinson,. fell asleep in the Tribuna of the Uffizi, oblivious to the attractions of the Venus de Medici and the snickers of other English visitors,. and repeatedly said that his tour of Italy had come “too late.”. Robinson’s visit was not much better:

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History-Taking in Uveitis Patients0).. I too hope not to need the Sphinx, but I shall not be able to explain myself without elaborating on the implied promise to situate Byron between Ariosto and Tasso—and not merely alphabetically. The question to be addressed here is this: in what relation does ., as a poetic project, stand to Ari

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Complications and Their Management34), with a text by collaborator William Brockedon. The Findens published around the same time their . (1836) and a periodical called . (1834–1840). The latter work promotes British chauvinistic attitudes to the Middle East, to southern Europe in general, and to Italy in particular. Thus, it is unsu

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Michael Macari,Abraham H. Dachmaness. Such homelessness in its positive guise occurs at the climax of Book Six of Wordsworth’s ... The book makes much mention of houses real and metaphorical. Wordsworth speaks of how he only wished at Cambridge “to be a lodger in that house / Of Letters, and no more” (11. 32–33); he plays with thou

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Cesare Hassan,Gabriel D. Lang,David T. Rubin through its multiplicity of competing despotisms and republics. Paradoxically, the very fragmentation of Italy allowed for the birth of individualism, “personality,” and political experimentation—an experimentation marked by Burckhardt’s use of the term “art” to describe both the Italian states and

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