Titlebook: Dante and Italy in British Romanticism; Frederick Burwick,Paul Douglass Book 2011 Frederick Burwick and Paul Douglass 2011 English literat

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,The Poetry of Philology: Burckhardt’s , and Mary Shelley’s ,ts (69–71, 79, 98). Its wars constantly disintegrated what its art—in the broad sense— had produced. For war, as Jacqueline Rose argues, marks a “l(fā)imit” to claims of “absolute knowledge,” even as such claims are “offered as one cause—if not . cause—of war” (16–18).

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,Germaine de Sta?l’s , (1807) and the Performance of Romanticism(s),ce from the ages of ten to fifteen, and who returns to spend her final exile before dying there in 1803. Corinne becomes the embodiment of Sta?l’s vision of prospects for a feminine Romanticism that is doomed to the chill of death even as it struggles to be born.

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Coleridge, Sgricci, and the Shows of London: Improvising in Print and Performance,ternational mobility, the influence of this performance genre became surprisingly widespread across Europe, with eyewitness accounts, commentaries, and literary representations appearing in hundreds of English, French, German, Scandinavian, and Russian texts.

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Introduction,ler and his entourage through France to Venice, Florence, and Rome to wander amidst the ruins of classical antiquity and behold the great treasures of the Renaissance.. The nature of the traditional tour was altered by the French Revolution, not simply because the route to Italy was shifted through

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