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Titlebook: Dante and His Circle; Education, Script an Julia Bolton Holloway Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive

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發(fā)表于 2025-3-21 16:32:45 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Dante and His Circle
副標(biāo)題Education, Script an
編輯Julia Bolton Holloway
視頻videohttp://file.papertrans.cn/261/260417/260417.mp4
概述Provides paleography of Dante manuscripts.Draws from primary research amongst buildings, archives, and manuscripts.Traces Dante‘s life from his education to his death
叢書名稱The New Middle Ages
圖書封面Titlebook: Dante and His Circle; Education, Script an Julia Bolton Holloway Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive
描述.In this book, Julia Bolton Holloway makes use of primary materials in documents, manuscripts and stone monuments in Florence, to place Dante‘s literary career in its rich context.?.Dante and His Circle.?discusses?the encyclopaedic multicultural education in classical literature, law, ethics, rhetoric, diplomacy, poetry, music and cosmology Brunetto Latino gave to Guido Cavalcante, Dante Alighieri and Francesco da Barberino. Bolton Holloway traces Latino’s use of Arabic methods he had learned at the Court of Alfonso X el Sabio in Spain in 1260. Next Latino dictates his ‘Rettorica‘, ‘Tesoretto‘ and ‘Tesoro‘ in Italian to his students, following the Sicilian Vespers, the manuscripts of their circle later coming to be re-edited, illustrated and published by Dante‘s fellow student, Francesco da Barberino, who survived them all and who likewise copied Alfonsine methods for producing the ‘Danti del Cento‘ manuscripts of the ‘Commedia‘.?The book ends by discussing Dante‘s Decolonialism. Each chapter provides Study Questions for further research..
出版日期Book 2024
關(guān)鍵詞Dante Alighieri; Commedia; classical literature; Brunetto Latino; Francesco da Barberino; Guido Cavalcant
版次1
doihttps://doi.org/10.1007/978-3-031-44093-9
isbn_softcover978-3-031-44095-3
isbn_ebook978-3-031-44093-9Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:05:35 | 只看該作者
,Chapter 4: Dante’s Colleague, Dante’s Editor, ser Nardi lived a long life until struck down at 84 in the Black Death in 1348, and is buried in Santa Croce with an epitaph written by Giovanni Boccaccio, that echoes the writings of both Brunetto and Dante.
板凳
發(fā)表于 2025-3-22 02:13:21 | 只看該作者
,Chapter 7: Dante’s Labyrinth, Dante’s Cosmos,e’s . showing that most perceptions of the Rose are wrong. It is not a small object perched atop the Cosmos but is instead the entire Cosmos righted, the Kingdom of Heaven that is here and now if we would but see it.
地板
發(fā)表于 2025-3-22 06:01:24 | 只看該作者
,Chapter 8: Dante’s Decolonialism, Looney so titled his book, . We can become “Freedom Readers”, Dante explaining that the Freedom of the Soul is the intent and goal of his allegory, indeed the anagogy, of his .’s use of Psalm 113, “.”.
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發(fā)表于 2025-3-22 09:56:33 | 只看該作者
2945-5936 ds for producing the ‘Danti del Cento‘ manuscripts of the ‘Commedia‘.?The book ends by discussing Dante‘s Decolonialism. Each chapter provides Study Questions for further research..978-3-031-44095-3978-3-031-44093-9Series ISSN 2945-5936 Series E-ISSN 2945-5944
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發(fā)表于 2025-3-22 15:24:53 | 只看該作者
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發(fā)表于 2025-3-22 17:23:34 | 只看該作者
Imaging in Interventional Pain Managementaperti and his consequent exile, from which he wanders into a dream landscape where Natura, the allegorical Virtues, Ovid, and Ptolemy proceed to teach him—and with him the regal, imperial, republican, and democratic readers of his text, who include ourselves—wisdom
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發(fā)表于 2025-3-22 22:53:45 | 只看該作者
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發(fā)表于 2025-3-23 01:21:59 | 只看該作者
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發(fā)表于 2025-3-23 08:17:35 | 只看該作者
Uniport Anterior Mediastinal Surgery Looney so titled his book, . We can become “Freedom Readers”, Dante explaining that the Freedom of the Soul is the intent and goal of his allegory, indeed the anagogy, of his .’s use of Psalm 113, “.”.
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