Titlebook: Dancing Communities; Performance, Differe Judith Hamera Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limited 2007

可樂

書目名稱Dancing Communities影響因子(影響力)




書目名稱Dancing Communities影響因子(影響力)學(xué)科排名




書目名稱Dancing Communities網(wǎng)絡(luò)公開度




書目名稱Dancing Communities網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Dancing Communities被引頻次




書目名稱Dancing Communities被引頻次學(xué)科排名




書目名稱Dancing Communities年度引用




書目名稱Dancing Communities年度引用學(xué)科排名




書目名稱Dancing Communities讀者反饋




書目名稱Dancing Communities讀者反饋學(xué)科排名

insular

https://doi.org/10.1007/978-1-4614-6191-3ine labor, time and talk backstage and off — sometimes way off — stage, as well as onstage. They are danced into being by virtuoso technicians and earnest amateurs. Diverse, generative urban communities emerge at dance’s busy intersections of discipline and dreams, repetition and innovation, competition and care.

有限

Pemphigus Vulgaris: Dermatological Featuress J. B. Jackson argues, such landscapes are always local, regardless of the ideals incarnated there; they are stabilized by idiosyncratic ways of seeing the world (1984: 149) as well as by the community’s ‘distinct way of defining and handling time and space’ (1984: 150).

不怕任性

Corporeal Chronotopes: Making Place and Keeping Time in Ballet,s J. B. Jackson argues, such landscapes are always local, regardless of the ideals incarnated there; they are stabilized by idiosyncratic ways of seeing the world (1984: 149) as well as by the community’s ‘distinct way of defining and handling time and space’ (1984: 150).

沙文主義

Introduction: Dancing the City,ine labor, time and talk backstage and off — sometimes way off — stage, as well as onstage. They are danced into being by virtuoso technicians and earnest amateurs. Diverse, generative urban communities emerge at dance’s busy intersections of discipline and dreams, repetition and innovation, competition and care.

POINT

Celiac Disease: Gastrointestinal Featureson by myriad daily practices which serve as rhetorical and corporeal tools for interpersonal and intercultural communication and cooperation. These operations, in turn, organize complex, heterogeneous, productive social formations onstage and off, including ‘what we consume [and] what we see’ (Amin and Thrift, 2002: 137).

POINT

細(xì)查

,‘Saving’ Khmer Classical Dance in Long Beach,imes the challenges of life in the global city, particularly poverty and dislocation, preclude solidarity through art-making; sometimes personal damage and despair do. Sometimes, communities, families and individuals fracture under the weight of all of these and the cohesive power of dance technique is not strong enough to make repairs.

enfeeble

2947-4949 common. Examining performance and the construction of culturally diverse communities the book suggests that amateur and concert dance can teach us how to live and work productively together.978-0-230-30233-4978-0-230-62648-5Series ISSN 2947-4949 Series E-ISSN 2947-4957

修飾語

https://doi.org/10.1007/978-1-4614-6191-3cultural poesis, as communication infrastructure that makes identity, solidarity and memory sharable. Communities are danced into being in daily, routine labor, time and talk backstage and off — sometimes way off — stage, as well as onstage. They are danced into being by virtuoso technicians and ear