Titlebook: Dance on Screen; Genres and Media fro Sherril Dodds Book 2004Latest edition Palgrave Macmillan, a division of Macmillan Publishers Limited

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LIMIT

Video Dance: Televisualizing the Dancing Body, are difficulties with regard to this process. The live experience is a completely different phenomenon to dance that is located within a screen context. There is also a history of artistic tension between choreographers and directors in relation to adapting dance for television. Previously, this re

neutral-posture

Postmodern Dance Strategies on Television,n context. The evolution of video dance can partly be attributed to developments in film and television, and the significance of the image and technology in late twentieth-century society. Yet the dance context out of which video dance and its practitioners have arisen has also had an impact. The em

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https://doi.org/10.1007/978-3-642-18515-1artefacts that has come to characterize our everyday lives. We inhabit a culture of mass production in that media technologies can facilitate the rapid recording, reproduction and multiplication of sounds, texts and images. These apparati of communication comprise radio (and related systems of sound

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破裂

https://doi.org/10.1007/978-3-642-18515-1 are difficulties with regard to this process. The live experience is a completely different phenomenon to dance that is located within a screen context. There is also a history of artistic tension between choreographers and directors in relation to adapting dance for television. Previously, this re

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