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Titlebook: Dance in the Field; Theory, Methods and Theresa J. Buckland (Senior Lecturer, Head of Depa Book 1999 Palgrave Macmillan, a division of Mac

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發(fā)表于 2025-3-21 19:37:14 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Dance in the Field
副標題Theory, Methods and
編輯Theresa J. Buckland (Senior Lecturer, Head of Depa
視頻videohttp://file.papertrans.cn/261/260364/260364.mp4
圖書封面Titlebook: Dance in the Field; Theory, Methods and  Theresa J. Buckland (Senior Lecturer, Head of Depa Book 1999 Palgrave Macmillan, a division of Mac
描述This international collection on dance ethnography - the first of its kind - comprises original contributions on fieldwork in dance and human movement. Based on extensive fieldwork experience, it explores the major theoretical approaches, methods and concerns of dance and movement research from anthropological and ethnochoreological perspectives. The result underlines the existing and continuing growth in dance ethnography which will also be of interest to those in dance studies, anthropology, cultural studies, folklore, ethnomusicology and sociology.
出版日期Book 1999
關鍵詞anthropology; Cultural Studies; dance; ethnography
版次1
doihttps://doi.org/10.1057/9780230375291
isbn_softcover978-1-349-40427-8
isbn_ebook978-0-230-37529-1
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1999
The information of publication is updating

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Searching for Branches, Searching for Roots: Fieldwork in my Grandfather’s Village efforts at conducting dance fieldwork in Ukraine. I focus on three key aspects of that endeavour: receiving government authorization, establishing the logistics of the fieldwork and cooperating with local scholars.
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J. Andrew Grant,Patricia A. Leonardd image, the researcher aims to draw his or her construct as near to that first-order reality as possible. Paradoxically, then, this subjective activity focuses on the production of ‘objective’ and ‘a(chǎn)uthentic’ documents.
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https://doi.org/10.1007/978-3-319-43089-8ure upon which to focus; a well-constructed institutional framework within which to conduct the research; and access to modest technical equipment to support fieldwork and subsequent analysis of the collected materials.
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n movement. Based on extensive fieldwork experience, it explores the major theoretical approaches, methods and concerns of dance and movement research from anthropological and ethnochoreological perspectives. The result underlines the existing and continuing growth in dance ethnography which will al
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