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Titlebook: Dance in Contested Land; New Intercultural Dr Rachael Swain Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 contemporary dan

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發(fā)表于 2025-3-21 17:48:06 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Dance in Contested Land
副標(biāo)題New Intercultural Dr
編輯Rachael Swain
視頻videohttp://file.papertrans.cn/261/260362/260362.mp4
概述Demonstrates new dramaturgies born of making, performing and witnessing dance in the contested lands of First Peoples.Contextualises Indigenous-intercultural dance practice within debates on Indigenou
叢書名稱New World Choreographies
圖書封面Titlebook: Dance in Contested Land; New Intercultural Dr Rachael Swain Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 contemporary dan
描述.This book traces an engagement between intercultural dance company Marrugeku and unceded lands of the Yawuru, Bunuba, and Nyikina in the north west of Australia. In the face of colonial legacies and extractive capitalism, it?examines how Indigenous ontologies bring ecological thought to dance through an entangled web of attachments to people, species, geologies, political histories, and land. Following choreographic interactions across the multiple subject positions of Indigenous, settler, and European artists between 2012–2016 the book closely examines projects such as Yawuru/Bardi dancer and choreographer Dalisa Pigram’s solo .Gudirr Gudirr. (2013) and the multimedia work .Cut the Sky. (2015). .Dance in Contested Land. reveals how emergent intercultural dramaturgies can mediate dance and land to revision and reorientate kinetics, emotion, and responsibilities through sites of Indigenous resurgence and experimentation..
出版日期Book 2020
關(guān)鍵詞contemporary dance; indigenous dance; sound theory; indigenous studies; Marrugeku; contested land; dramatu
版次1
doihttps://doi.org/10.1007/978-3-030-46551-3
isbn_softcover978-3-030-46553-7
isbn_ebook978-3-030-46551-3Series ISSN 2730-9266 Series E-ISSN 2730-9274
issn_series 2730-9266
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 20:18:37 | 只看該作者
The Dramaturgies of Listening to Country, After introducing Marrugeku, a dance theatre company whose practice forms the primary case study for the book, the chapter gives an overview of new dramaturgies, expanded dramaturgies and Indigenous dramaturgies. Through examples from Marrugeku’s production . (2000)?directed by the author and creat
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發(fā)表于 2025-3-23 00:56:29 | 只看該作者
Atlas der r?ntgenologischen Me?methodenxpressionism?identified in the previous chapter within contemporary cultural politics of the industrialisation of Indigenous land in north-west Australia. The chapter takes the form of a close examination of . (2015), directed by the author and co-choreographed by Dalisa Pigram and Serge Aimé Coulib
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發(fā)表于 2025-3-23 03:59:09 | 只看該作者
Rachael SwainDemonstrates new dramaturgies born of making, performing and witnessing dance in the contested lands of First Peoples.Contextualises Indigenous-intercultural dance practice within debates on Indigenou
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發(fā)表于 2025-3-23 07:51:53 | 只看該作者
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