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Titlebook: Dance Dramaturgy; Modes of Agency, Awa Pil Hansen (assistant professor),Darcey Callison ( Book 2015 The Editor(s) 2015 dance studies.dramat

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發(fā)表于 2025-3-21 18:44:40 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Dance Dramaturgy
副標(biāo)題Modes of Agency, Awa
編輯Pil Hansen (assistant professor),Darcey Callison (
視頻videohttp://file.papertrans.cn/261/260351/260351.mp4
叢書(shū)名稱(chēng)New World Choreographies
圖書(shū)封面Titlebook: Dance Dramaturgy; Modes of Agency, Awa Pil Hansen (assistant professor),Darcey Callison ( Book 2015 The Editor(s) 2015 dance studies.dramat
描述Ten international dramaturg-scholars advance proposals that reset notions of agency in contemporary dance creation. Dramaturgy becomes driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through audience engagement, and the dramaturg becomes a facilitator of dramaturgical awareness.
出版日期Book 2015
關(guān)鍵詞dance studies; dramaturgy; international performance; consciousness; dance; drama; inquiry; performance; pra
版次1
doihttps://doi.org/10.1057/9781137373229
isbn_softcover978-1-349-55797-4
isbn_ebook978-1-137-37322-9Series ISSN 2730-9266 Series E-ISSN 2730-9274
issn_series 2730-9266
copyrightThe Editor(s) 2015
The information of publication is updating

書(shū)目名稱(chēng)Dance Dramaturgy影響因子(影響力)




書(shū)目名稱(chēng)Dance Dramaturgy影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Dance Dramaturgy網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Dance Dramaturgy網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Dance Dramaturgy被引頻次




書(shū)目名稱(chēng)Dance Dramaturgy被引頻次學(xué)科排名




書(shū)目名稱(chēng)Dance Dramaturgy年度引用




書(shū)目名稱(chēng)Dance Dramaturgy年度引用學(xué)科排名




書(shū)目名稱(chēng)Dance Dramaturgy讀者反饋




書(shū)目名稱(chēng)Dance Dramaturgy讀者反饋學(xué)科排名




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發(fā)表于 2025-3-21 23:05:36 | 只看該作者
CT Imaging in the Carotid Arteryve process, instead of considering the particular manner in which each dramaturg individually fulfills a preordained role, we can begin to distinguish some common characteristics that make an appearance time and again.
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發(fā)表于 2025-3-22 01:04:28 | 只看該作者
A. J. Day,A. K. Horsch,J. W. Proudlockces have, in various ways, offered resources to audiences aimed at contextualising the work and stimulating fresh thinking about it. An elaborate residency conducted by the Merce Cunningham Dance Company (MCDC) and presented by three presenting partners (The Jerusalem Season of Culture, the Israel F
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Errancy as Work: Seven Strewn Notes for Dance Dramaturgy) and Centro Párraga (Cultural Center for the Development and Research of the Scenic Arts, linked to the Regional Government). Gathering performing arts professionals, scholars, and students, the seminar’s debates departed from the following proposition: .
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發(fā)表于 2025-3-23 04:21:03 | 只看該作者
2730-9266 n by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through audience engagement, and the dramaturg becomes a facilitator of dramaturgical awareness.978-1-349-55797-4978-1-137-37322-9Series ISSN 2730-9266 Series E-ISSN 2730-9274
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