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Titlebook: Dada‘s Subject and Structure; Performing Ideology Brandon Pelcher Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusi

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21#
發(fā)表于 2025-3-25 04:11:47 | 只看該作者
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發(fā)表于 2025-3-25 11:15:05 | 只看該作者
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發(fā)表于 2025-3-25 18:19:38 | 只看該作者
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發(fā)表于 2025-3-25 20:46:26 | 只看該作者
Asian Trade and European Influence smooth function. This double movement, which this book calls Dadaist praxis, underpins Dadaist works, and simultaneously prefigures structuralist conceptions of ideological subject formation (e.g. Althusser, Lacan) and pre-performs poststructuralist critiques of those conceptions (e.g. Butler, de Man).
26#
發(fā)表于 2025-3-26 01:52:32 | 只看該作者
Asian Century and Post-Pandemic Adjustmentsble demands, and often both. The chapter ends with an extended reading of Tristan Tzara’s recognition, explication, and ultimate subversion of these elements as they are embodied in his “Dada Manifesto 1918.”
27#
發(fā)表于 2025-3-26 08:13:50 | 只看該作者
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發(fā)表于 2025-3-26 08:47:29 | 只看該作者
Introduction: Taking Dada and Ideology Seriously, smooth function. This double movement, which this book calls Dadaist praxis, underpins Dadaist works, and simultaneously prefigures structuralist conceptions of ideological subject formation (e.g. Althusser, Lacan) and pre-performs poststructuralist critiques of those conceptions (e.g. Butler, de Man).
29#
發(fā)表于 2025-3-26 16:39:01 | 只看該作者
,“A Spectre is Haunting Dada”: Dada and/as Manifesto,ble demands, and often both. The chapter ends with an extended reading of Tristan Tzara’s recognition, explication, and ultimate subversion of these elements as they are embodied in his “Dada Manifesto 1918.”
30#
發(fā)表于 2025-3-26 18:27:35 | 只看該作者
,“We Need Only Take Scissors”: Dada and/as Photographic Image,ubverting the interpellative force of the montage and its photographic images. The chapter ends with an extended reading of Hannah H?ch’s . and . as conspicuous manifestations of the very techniques that created them.
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