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Titlebook: Dada‘s Subject and Structure; Performing Ideology Brandon Pelcher Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusi

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發(fā)表于 2025-3-21 17:40:40 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Dada‘s Subject and Structure
副標(biāo)題Performing Ideology
編輯Brandon Pelcher
視頻videohttp://file.papertrans.cn/261/260275/260275.mp4
概述Argues that Dada‘s subversive performativity disrupts ideas of nonideological objectivity.Studies a range of genres & media including individual sign, literary manifesto, photographic image.Theorizes
圖書(shū)封面Titlebook: Dada‘s Subject and Structure; Performing Ideology  Brandon Pelcher Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusi
描述.Dada’s Subject and Structure. argues that Dadaist praxis was far more theoretically incisive than previous scholarship has indicated. The book combines theoretical frameworks surrounding ideological subject formation with critical media and genre histories in order to more closely read Dadaist techniques (e.g. montage, irony, nonsense, etc.) across multiple works. These readings reveal both Dada’s preternatural focus on the discursive aspects of subject formation—linguistic sign, literary manifesto, photographic image, commodity form/aesthetics, which comprise the project’s chapters—and on Dada’s performative sabotage and subversion of them. In addition to highlighting commonalities between Dadaist works, artists, and chapters previously imagined disparate, the book shows how Dada simultaneously prefigured structuralist theories of subject formation and pre-performed post-structuralist critiques of those theories.
出版日期Book 2023
關(guān)鍵詞Dada; Structuralism; Ideology; Avant-Garde; 20th Century Literature
版次1
doihttps://doi.org/10.1007/978-3-031-26610-2
isbn_softcover978-3-031-26612-6
isbn_ebook978-3-031-26610-2
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 22:01:36 | 只看該作者
,“A Constant Problem and Preoccupation”: Dada and/as Sign,chapter begins with the individual letter, the most fundamental element of (ideological) communication, with a reading of the ideological complex inherent in Kurt Schwitters’ “The i-Poem” (linguistic transparency, educational and national apparatuses, etc.) and its subversion of its own role within
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發(fā)表于 2025-3-22 00:24:24 | 只看該作者
,“A Spectre is Haunting Dada”: Dada and/as Manifesto, and to Dadaist praxis itself as the subversion of ideological subject formation. This exploration expands on the difficulties of naming elucidated in the previous chapter, where the word . already precludes stable Dadaist manifestos. Further building on theories of the manifesto, this chapter analy
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發(fā)表于 2025-3-22 05:36:29 | 只看該作者
,“We Need Only Take Scissors”: Dada and/as Photographic Image,vidual sign and the genre of the manifesto. Centered on Berlin Dada and the “First International Dada Fair,” this chapter investigates Dada’s subversion of the indexicality of the mass-reproduced photographic images that flooded early Weimar Germany and their ideological complexities. Dadaist photom
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發(fā)表于 2025-3-22 10:16:48 | 只看該作者
,“So That Its Useful Significance Disappeared”: Dada and/as Commodity,e confrontations with the commodity form and its aesthetics as elements of interpellation and ideological subject formation. This chapter reads the ways that Dada commodified their own works in journals, shows, etc., as well as their various uses of commodities in their works. Dadaist assemblages of
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發(fā)表于 2025-3-23 06:14:15 | 只看該作者
Jürgen Kühling,Thomas Weck,Philipp Reinholdvidual sign and the genre of the manifesto. Centered on Berlin Dada and the “First International Dada Fair,” this chapter investigates Dada’s subversion of the indexicality of the mass-reproduced photographic images that flooded early Weimar Germany and their ideological complexities. Dadaist photom
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