Titlebook: D.H. Lawrence, Travel and Cultural Difference; Neil Roberts Book 2004 Palgrave Macmillan, a division of Macmillan Publishers Limited 2004

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,Postscript: ‘Mornings in Mexico’,al months after the Native American ones, though they are placed before them in the book. It is these essays that are properly titled ‘Mornings in Mexico’, and I shall use this form to distinguish them from the whole book ..

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Book 2004ocusing on the writings of 1921-25, the period when Lawrence was most intensely engaged in travel, it includes chapters on Sea and Sardinia, Kangaroo, The Plumed Serpent and the essays and stories inspired by Lawrence‘s experience of the New World.

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https://doi.org/10.1007/978-3-319-30866-1at includes . and the two versions of .. In all of these narratives varying chronotopes of the journey cross with questions of otherness, cultural difference and the relation of the travelling protagonist to the indigenous culture.

HARD

Introduction,to visit again for more than a few weeks at a time. In February 1922 his travelling life entered a more extreme phase, when he left Europe for a period of three and a half years, broken by just one brief and unhappy return. This odyssey, anticipated in his short visit to Sardinia in 1921, produced a

corporate

,‘Outside the Circuit of Civilisation’: ,,rip after his return (apparently without making any notes during the travel itself) this motive is not mentioned. As a result there is a teasing ambiguity about the kind of journey that the book narrates, which is reflected in its characteristic fluctuations of tone. Much of the detail, such as the

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, and the Narrative of Contingency, and ‘quest’. This is a rather simplified opposition but it helps to point up the significance of the contrast between, at one extreme, . and at the other, ‘The Woman Who Rode Away’. Why compare these texts at all, one may ask. The obedience to the impulse of the moment—‘Comes over one an absolute n

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Lawrence and Native Americans,licated. In this chapter I propose to follow a single strand: those texts, mostly essays, which offer themselves as direct representations of the author’s encounters with, and responses to, Native Americans. This chapter will therefore be the only one that is not centrally concerned with questions o

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