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Titlebook: D.H. Lawrence, Music and Modernism; Susan Reid Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licence to Sprin

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發(fā)表于 2025-3-21 20:05:20 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱D.H. Lawrence, Music and Modernism
編輯Susan Reid
視頻videohttp://file.papertrans.cn/261/260026/260026.mp4
概述Connects Lawrence studies with studies of literary modernism and the arts.Positions Lawrence among his modernist contemporaries who were influenced by music.Explores both Lawrence’s musical interests
叢書名稱Palgrave Studies in Music and Literature
圖書封面Titlebook: D.H. Lawrence, Music and Modernism;  Susan Reid Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licence to Sprin
描述.This first book-length study of D. H. Lawrence’s lifelong engagement with music surveys his extensive musical interests and how these permeate his writing, while also situating Lawrence within a growing body of work on music and modernism. A twin focus considers the music that shaped Lawrence’s novels and poetry, as well as contemporary developments in music that parallel his quest for new forms of expression. Comparisons are made with the music of Debussy, Schoenberg, Stravinsky, Wagner, and British composers, including Bax, Holst and Vaughan Williams, and with the musical writings of Forster, Hardy, Hueffer (Ford), Nietzsche and Pound. Above all, by exploring Lawrence and music in historical context, this study aims to open up new areas for study and a place for Lawrence within the field of music and modernism..
出版日期Book 2019
關鍵詞D; H; Lawrence; musico-literary modernism; Lawrence studies; music studies; modernist aesthetics; musical
版次1
doihttps://doi.org/10.1007/978-3-030-04999-7
isbn_ebook978-3-030-04999-7Series ISSN 2946-5133 Series E-ISSN 2946-5141
issn_series 2946-5133
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl
The information of publication is updating

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D.H. Lawrence, Music and Modernism978-3-030-04999-7Series ISSN 2946-5133 Series E-ISSN 2946-5141
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J.-L. Vincent,P. van der Lindentigating his use of the cadences of folk song and hymns and his negotiation of a Romantic legacy of transcendent song. Edward Marsh’s criticisms of Lawrence’s poetic rhythms provoked a deepening engagement with the musicality of decadent poetry, exemplified by Ernest Dowson, while the evolution of h
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