Titlebook: D. H. Lawrence; Nature, Narrative, A John Beer Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 D. H. Lawrence

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The Riddling Narrative of Nature,ie Chambers, she herself was able to take comfort from the reflection that Mrs Lawrence’s jealousy had been to blame for the suffocation of their growing mutual understanding. At the distance of more than a century it is hard to adjudicate between the warring points of view. Yet it seems likely that

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Fibroid

hedonic

podiatrist

champaign

Corruption, Energy and a Flowering Moon,work his eye seemed now more firmly fixed on the human behaviour of himself and his associates. There was a corresponding change from the Platonic and the synthesizing to the probing and analytic. The dithyrambic, poetic quality, often modulating into a pastiche of biblical narrative, of . did not s

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The Limitations of Transcendence,eed to recognize the distinction between vegetative patterns of growth and the activities of animated organisms. But shrinking from the mechanized horror of the First World War, with little sign that its self-inflicted destruction might ever come to an end, had caused him to turn his eyes to North A

Yourself

Negativity in Post-War Life, coupled with an immense number of casualties, both from the forces of Britain immediately involved and from those of her allies. The cultural effects were even greater. Tendencies noted in earlier chapters as beginning to emerge now resumed at breakneck speed. Industrialists found that activities i

entail

To the End of the Earth, had been followed by various attempts, particularly in his fictions, to reflect on the current state of Europe—which was endeavouring to regain some kind of stability after the destruction and devastation of the war.

Substitution

Dimensions of Consciousness in the ,,ask of discovering a way forward that would satisfy his desire for positive achievement. His first impulse was to go back to the mode in which he had already experimented: the shorter fictions which he later came to call ‘Tales’. This form he had used for his early fictions, including those which Je