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Titlebook: Cyborg Conception; Cultural and Critica Grace Halden Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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樓主: Maudlin
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發(fā)表于 2025-3-23 13:47:22 | 只看該作者
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發(fā)表于 2025-3-23 15:44:28 | 只看該作者
https://doi.org/10.1007/978-3-319-50883-2een preoccupied with dichotomies, notably the nuclear family utopia pitted against single-parent dystopia. Why does the “happy ever after” in fiction featuring solo mothers necessitate romance? In what ways is romance used as a plot device to “correct” the problem of solo parenting?
13#
發(fā)表于 2025-3-23 18:51:10 | 只看該作者
The Bigger Picture: Strategy and Advocacy to ‘go solo’. In this chapter, I also discuss the importance of storytelling in the donor conception community and how stories from lived experience can provide authentic and positive representation of the SMBC phenomenon which is either largely?overlooked or demonised in contemporary culture.
14#
發(fā)表于 2025-3-24 00:15:42 | 只看該作者
https://doi.org/10.1007/978-1-4899-3450-5ggested that the single mother has none. By studying the difference between the words “single” and “solo”, I will illustrate how the term “single mother” has been used historically to denote worthlessness whereas “solo” has been associated with skill. How can language be used to describe solo mother
15#
發(fā)表于 2025-3-24 04:06:02 | 只看該作者
Grace HaldenPart memoir, part research, this book examines the debate surrounding women becoming solo mothers via sperm donation.Freshly analyses solo motherhood via donation and how it’s narrated in medicine, et
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發(fā)表于 2025-3-24 10:21:30 | 只看該作者
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發(fā)表于 2025-3-24 11:04:36 | 只看該作者
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發(fā)表于 2025-3-24 15:05:47 | 只看該作者
978-3-031-59388-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
19#
發(fā)表于 2025-3-24 21:58:40 | 只看該作者
20#
發(fā)表于 2025-3-25 00:15:03 | 只看該作者
Reckless Radicals: The Solo Mother in Fiction and Popular Culture,een preoccupied with dichotomies, notably the nuclear family utopia pitted against single-parent dystopia. Why does the “happy ever after” in fiction featuring solo mothers necessitate romance? In what ways is romance used as a plot device to “correct” the problem of solo parenting?
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