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Titlebook: Cyborg Cinema and Contemporary Subjectivity; Sue Short Book 2005 Palgrave Macmillan, a division of Macmillan Publishers Limited 2005 cinem

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發(fā)表于 2025-3-21 20:00:50 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Cyborg Cinema and Contemporary Subjectivity
編輯Sue Short
視頻videohttp://file.papertrans.cn/242/241960/241960.mp4
圖書封面Titlebook: Cyborg Cinema and Contemporary Subjectivity;  Sue Short Book 2005 Palgrave Macmillan, a division of Macmillan Publishers Limited 2005 cinem
描述This book breaks new ground in providing an in-depth critical assessment of cyborg cinema, arguing that it remains one of the most intriguing and provocative cycles to have emerged in contemporary screen culture. Tracing the cinematic cyborg‘s transition over the last two decades and evaluating the theoretical significance attributed to this figure, it asks what relevance the cyborg continues to have in terms of understanding human identity, our relationship to technology, and to one another.
出版日期Book 2005
關(guān)鍵詞cinema; culture; gender; identity; postmodernism; technology
版次1
doihttps://doi.org/10.1057/9780230513501
isbn_softcover978-0-230-30219-8
isbn_ebook978-0-230-51350-1
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2005
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Female Midlife Issues in Prose and Poetrys of art, literature and science along the way. Such a wide-ranging survey is outside the scope of this book however, so the cyborg’s history is limited, in this instance, to a brief summary of relevant factors that have contributed to the cyborg’s theoretical significance.
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Psychotherapeutic Technique and Developmentnt of women’s relationship to technology. As Balsamo has put it: The cyborg provides a framework for studying gender identity as it is technologically crafted simultaneously from the matter of material bodies and cultural fictions.’. Yet while the cyborg is potentially useful in exposing the extent
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Adult Development, Therapy, and Cultureea that has been linked to the notion of the posthuman. The chapter appraises the relative advantages and limitations postmodernism offers in terms of addressing identity and conceiving possibilities for social change. Despite the radical and subversive connotations that have so often been attribute
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Introduction,s continued appeal, as is testified by the revival of the . franchise with . (Jonathan Mostow, 2003), as well as other high-profile releases that similarly explore ‘posthuman’ potential, including the . films (Bryan Singer, 2000, 2003), and the . trilogy (Andy and Larry Wachowski, 1999, 2003). This
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Body and Soul: A History of Cyborg Theory,s of art, literature and science along the way. Such a wide-ranging survey is outside the scope of this book however, so the cyborg’s history is limited, in this instance, to a brief summary of relevant factors that have contributed to the cyborg’s theoretical significance.
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Reality Unplugged: Postmodernism, Posthumanism and the Cyborg,ea that has been linked to the notion of the posthuman. The chapter appraises the relative advantages and limitations postmodernism offers in terms of addressing identity and conceiving possibilities for social change. Despite the radical and subversive connotations that have so often been attribute
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