Titlebook: Cultures of Obsolescence; History, Materiality Babette B. Tischleder,Sarah Wasserman Book 2015 Babette B. Tischleder and Sarah Wasserman 20

Melodrama

Dividual Systems & Ultraneotenyed word ., but unlike . on Google.de, Google.nl offers endless images of aging humans. The far less frequent phrase . generates a wide range of images to suggest what might best be translated back into English as “disuse” or “nonuse.” Chinese characters generate more positive images on Google. cn, c

Felicitous

Obliterate

Ontology and Meontology of I-ness,rs understand that discarded things only migrate elsewhere. Exposed to this unlikely scenario in which detritus is valuable, Nin’s narrator wonders if it is possible at all to permanently dispose of something. With a knowing smile, the ragpicker answers this desperate query with a meditative song that asserts how “nothing is lost but it changes.”.

AIL

The Pleasures of Paper: Tethering Literature to Obsolete Material Formsrs understand that discarded things only migrate elsewhere. Exposed to this unlikely scenario in which detritus is valuable, Nin’s narrator wonders if it is possible at all to permanently dispose of something. With a knowing smile, the ragpicker answers this desperate query with a meditative song that asserts how “nothing is lost but it changes.”.

aristocracy

Conspiracy

Obstreperous

The Afterlife and the Transcendental I,connoting geopolitical aspirations, but, even more so, evoking a new dispensation of nationally clocked global time.. Amid all these shifts, the historical span further marks, I propose, a high point of the obsolescence phenomenon.

招募

Phenomenological Preliminaries, state of being out of date or no longer in use, will remain the downside of a constantly changing world, in the same way in which nostalgia, as the feeling of longing for objects, people, or situations from the past, is its psychological effect.

詢(xún)問(wèn)

The Poetics of Patination in the Work of William Gibson state of being out of date or no longer in use, will remain the downside of a constantly changing world, in the same way in which nostalgia, as the feeling of longing for objects, people, or situations from the past, is its psychological effect.

行為

,Ipseity’s Ownness and Uniqueness,n now, Hiroshima art that is too cheeky, too stylized, or too playful is subject to reproach. In ., Lisa Yoneyama acknowledges that “the nationalized remembering of Hiroshima has … never been monolithic or without contradictions” in Japan.. Nonetheless, she argues,