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Titlebook: Cultures of Comics Work; Casey Brienza,Paddy Johnston Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 comics.graphic novels

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發(fā)表于 2025-3-21 18:04:50 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Cultures of Comics Work
編輯Casey Brienza,Paddy Johnston
視頻videohttp://file.papertrans.cn/242/241047/241047.mp4
概述Builds upon current inquiries in the comics industry and cultural work.Explores problematic tensions between artistic ideal and realities of contemporary cultural production.Combines international and
叢書(shū)名稱(chēng)Palgrave Studies in Comics and Graphic Novels
圖書(shū)封面Titlebook: Cultures of Comics Work; Casey Brienza,Paddy Johnston Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 comics.graphic novels
描述.This anthology explores tensions between the individualistic artistic ideals and the collective industrial realities of contemporary cultural production with eighteen all-new chapters presenting pioneering empirical research on the complexities and controversies of comics work...Art Spiegelman. Alan Moore. Osamu Tezuka. Neil Gaiman. Names such as these have become synonymous with the medium of comics. Meanwhile, the large numbers of people without whose collective action no comic book would ever exist in the first place are routinely overlooked. .Cultures of Comics Work. unveils this hidden, global industrial labor of writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, translators, retailers, and countless others both directly and indirectly involved in the creative production of what is commonly thought of as the comic book. Drawing upon diverse theoretical and methodological perspectives, an international and interdisciplinary cohort of cutting-edge researchers and practitioners intervenes in debates about cultural work and paves innovative directions for comics scholarship..
出版日期Book 2016
關(guān)鍵詞comics; graphic novels; artistic identity; artists; comic book production; arts; Comic; culture; fine arts; h
版次1
doihttps://doi.org/10.1057/978-1-137-55090-3
isbn_ebook978-1-137-55090-3Series ISSN 2634-6370 Series E-ISSN 2634-6389
issn_series 2634-6370
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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,: Imagining US–Mexican Cooperation against the Axis Powers in a World War II Propaganda Comicevelt 1927, 114–115). The Clark Memorandum of 1928 claimed that the USA held a self-evident right to defend itself and its political and economic interests. Unsurprisingly, this foreign policy of intervention, used whenever the USA felt its economic and political interests threatened, placed the cou
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Recognizing Comics as Brazilian National Popular Culture: CETPA and the Debates over Comics Professics and culture, such as Samuel Wainer, Edmar Morel, Gilberto Freyre, Roberto Marinho, and Carlos Lacerda, were involved in the debates about comics. Despite the political interests of each of these men (Júnior 2004), their engagement with comics controversies demonstrates that comic art was not well
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To the Studio! , and the Occupational Imaginary of Comics Workimilarly, many fans probably have ideas about what the day-to-day working life of a comics creator is like, but the accuracy of these ideas varies widely. Do they imagine spending hours with pencil and brush at a drawing table, or working on a Wacom tablet with Photoshop or Manga Studio? Do they thi
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The Tail That Wags the Dog: The Impact of Distribution on the Development and Direction of the Ameriistribution is considered to be a mundane activity, and its profound impact on the success (or failure) of comics work is therefore easy to overlook. Comic book historians can better understand and interpret the full richness of the American comic book industry and its history by explicitly incorpor
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Textbook Mar 1994Latest editionevelt 1927, 114–115). The Clark Memorandum of 1928 claimed that the USA held a self-evident right to defend itself and its political and economic interests. Unsurprisingly, this foreign policy of intervention, used whenever the USA felt its economic and political interests threatened, placed the cou
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