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Titlebook: Culture, History, and the Reception of Tennessee Williams in China; Shouhua Qi Book 2022 The Editor(s) (if applicable) and The Author(s),

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樓主
發(fā)表于 2025-3-21 16:52:25 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Culture, History, and the Reception of Tennessee Williams in China
編輯Shouhua Qi
視頻videohttp://file.papertrans.cn/242/241031/241031.mp4
概述Analyzes the shifting reception of Tennessee Williams in China after the 1980s.Expands international Williams scholarship.Contributes to the growing global performance studies field
叢書名稱Chinese Literature and Culture in the World
圖書封面Titlebook: Culture, History, and the Reception of Tennessee Williams in China;  Shouhua Qi Book 2022 The Editor(s) (if applicable) and The Author(s),
描述.This book is the first comprehensive study of the reception of Tennessee Williams in China, from rejection and/or misgivings to cautious curiosity and to full-throated acceptance, in the context of profound changes in China’s socioeconomic and cultural life and mores since the end of the Cultural Revolution. It fills a conspicuous gap in scholarship in the reception of one of the greatest American playwrights and joins book-length studies of Chinese reception of Shakespeare, Ibsen, O’Neill, Brecht, and other important Western playwrights whose works have been eagerly embraced and appropriated and have had catalytic impact on modern Chinese cultural life..
出版日期Book 2022
關(guān)鍵詞Tennessee Williams; homosexuality; modern Chinese drama/theatre; reception studies; translation studies;
版次1
doihttps://doi.org/10.1007/978-3-031-16934-2
isbn_softcover978-3-031-16936-6
isbn_ebook978-3-031-16934-2Series ISSN 2945-7254 Series E-ISSN 2945-7262
issn_series 2945-7254
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:13:33 | 只看該作者
https://doi.org/10.1007/978-1-349-19501-5s. It focuses on important questions of which of Williams’ dramatic works get translated, why, and how, especially in terms of speaking the unspoken and the unspeakable in China’s sociopolitical life through translation of Williams works, pushing the boundaries of sexual mores, and over/under/mistra
板凳
發(fā)表于 2025-3-22 03:12:36 | 只看該作者
Who Cares? Women at Work in Social Services,and the serious albeit still cautious interest in the early 1990s to the enthusiastic deep dive undertaken by aspiring scholars in the first two decades of the twenty-first century, equipped with various critical lenses, for example, psychoanalysis, gender and politics, as exemplified by the dozen o
地板
發(fā)表于 2025-3-22 06:38:44 | 只看該作者
Women in Society: A Feminist Listince the late 1800s. From trying to understand the perplexing complexity of Blanche Dubois and such psychological, sociocultural, and economic migrants and outcasts as American “other” to highlighting the humanness of the modern tragedy and embracing them as amongst “us,” Chinese staging of Williams
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發(fā)表于 2025-3-22 12:06:18 | 只看該作者
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發(fā)表于 2025-3-22 16:09:13 | 只看該作者
Conclusion,Chapter . concludes the study with a forward look not only of the reception of Tennessee Williams in China in the years ahead, but also, more importantly, of Western arts and literature in general, including drama/theatre, especially in light of the marked tightening of sociocultural and ideological control since the mid-2010s.
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發(fā)表于 2025-3-22 19:45:21 | 只看該作者
Shouhua QiAnalyzes the shifting reception of Tennessee Williams in China after the 1980s.Expands international Williams scholarship.Contributes to the growing global performance studies field
8#
發(fā)表于 2025-3-22 21:33:08 | 只看該作者
9#
發(fā)表于 2025-3-23 05:25:21 | 只看該作者
Introduction, cultural context, and the critical perspectives drawing from translation studies, comparative drama and comparative literature, and adaptation studies that inform the research and help frame the discussions.
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發(fā)表于 2025-3-23 08:41:00 | 只看該作者
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