Titlebook: Culture Wars and Horror Movies; Social Fears and Ide Noelia Gregorio-Fernández,Carmen M. Méndez-García Book 2024 The Editor(s) (if applicab

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Humans Hunting Humans: Allegories of Cultural and Economic Divides across National Boundariesvelop. More specifically, it focuses on the transnational dimension of the horrific situations that films like . (Kleber Mendon?a Filho and Juliano Dornelles 2019), . (Craig Zobel 2020), and . (Everardo Gout 2021) imagine. The introduction to the chapter offers an overview of some key concerns and a

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“Obliteration of the Unfit”: Disposable Other Bodies and Economic Privilege in the , Film Seriesen on the public. . film series (2013–2021) comments on the elimination of the undesirable elements in American society in a very similar vein. The series consists of five films and presents purging as a political tactic of the New Founding Fathers, who urge their citizens to commit any crime once a

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Estimation of Population Densityh century, but also ultimately proved triumphant in those wars. Because the two . films together grossed more than $120 million in US box-office revenue, their themes and messages seem to resonate strongly with audiences around the country.

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Harvest and Pre-Fermentation Processingdiscrimination. The second section explores abjection in relation to the demands of Black masculinity. The third interprets storytelling as a means of resistance against social abjection in the times of the #BlackLivesMatter movement..In the movie, abjection is the result of spatial violence and rac

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Identification of Wine Microorganismsack trauma porn (a ritual for white guilt catharsis). The recent . creators reimagine the revenant as a vehicle for “Black wrath”: he avenges his death following police brutality, killing those that gentrify and terrorize his community. . (2021) provides answers to novel questions: How do Black horr

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Panagiotou Mihalis,Grigoriadou Mariao the horror hunting film . (Craig Zobel 2020), focusing on how the film narrativizes contemporary culture wars issues. We argue that through a satiric treatment of the culture wars, it lays near the clash of values that underpin them.

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