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Titlebook: Cultural Representations of Massacre; Reinterpretations of Sabrina Parent Book 2014 Sabrina Parent 2014 Africa.film.independence.politics.a

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樓主: 聲音會爆炸
21#
發(fā)表于 2025-3-25 05:04:00 | 只看該作者
Dismantling Thiaroye’s Dichotomies in Cheikh Faty Faye’s Playtion, I argue that, like Bouchareb’s movie, Faye’s play belongs to a third phase of representing the mutiny and massacre. Indeed, the tone in which Faye depicts the mutiny has more in common with Bouchareb’s than it has with Doumbi-Fakoly’s, Diop’s, or Sembene’s.
22#
發(fā)表于 2025-3-25 10:10:21 | 只看該作者
23#
發(fā)表于 2025-3-25 14:43:00 | 只看該作者
Weak States and Great Power Grand Strategy,n fictional and journalistic writing. In addition to his regular participation in French and Senegalese newspapers— he is the founder of the first independent newspaper in Senegal, .— Diop’s journalistic activity also includes his participation as an essayist in collective works such as . (., 1993) and . (., 2005).
24#
發(fā)表于 2025-3-25 19:16:50 | 只看該作者
25#
發(fā)表于 2025-3-25 23:00:01 | 只看該作者
26#
發(fā)表于 2025-3-26 03:08:45 | 只看該作者
Boubacar Boris Diop’s Thiaroyen fictional and journalistic writing. In addition to his regular participation in French and Senegalese newspapers— he is the founder of the first independent newspaper in Senegal, .— Diop’s journalistic activity also includes his participation as an essayist in collective works such as . (., 1993) and . (., 2005).
27#
發(fā)表于 2025-3-26 04:53:25 | 只看該作者
28#
發(fā)表于 2025-3-26 09:48:30 | 只看該作者
29#
發(fā)表于 2025-3-26 13:28:44 | 只看該作者
Conclusionlel between the massacres of Sanankoro/Effok and Thiaroye in Diop’s play and in Sembene’s movie, and the personal and familial impacts of the war in Keita’s poem and in Bouchareb’s animated movie—the works respond to those that precede, contributing to a certain family resemblance within the corpus.
30#
發(fā)表于 2025-3-26 18:44:15 | 只看該作者
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