Titlebook: Cultural Politics in the 1790s; Literature, Radicali Andrew McCann Book 1999 Andrew McCann 1999 Age of Enlightenment.critique.dynamics.eigh

RECUR

,Edmund Burke’s Immortal Law: Reading the Impeachment of Warren Hastings, 1788,ollstonecraft, among many others, produced major responses to it, while journals like Daniel Isaac Eatori’s . and Thomas Spence’s .’. used what they read as Burke’s euphemism for the people — ‘a(chǎn) swinish multitude’ ., p. 173) — as the basis for their ironic addresses to the British working class. One

外觀

NOTCH

Politico-Sentimentality: John Thelwall, Literary Production and the Critique of Capital in the 1790itish left. ‘Thelwall took Jacobinism to the borders of Socialism; he also took it to the borders of revolutionism’, writes Thompson eulogistically.. As one of the London Corresponding Society members prosecuted for treason in 1794, and as the orator who addressed an estimated crowd of one hundred a

lobster

Gothic Consumption: Populism, Consumerism and the Discipline of Reading, political pamphlets, popular journals and philosophical tracts as the means by which a gullible and manipulable audience could be swayed from passivity to the violence and atavism of revolution. In anti-Jacobin discourse the image of the ragged crowd, an aggregation of individualized, serialized su

領帶

Domestic Revolutions: Mary Wollstonecraft and the Limits of Radical Sentimentality,ns to convey their social visions, testifying to the centrality of sentimentality in political discourse and debate. Thelwall’s 1793 . is representative of this ‘politico-sentimentality’ in its radical form. Thelwall, as we have seen, depicts the processes of land enclosure, property monopoly and th

解凍

Excitotoxin

單調(diào)性

the crowd is the form in which anti-social individualized desire becomes available to cognition: multiplied by that indeterminate number, the multitude, individual desire takes on its visible manifestation in cataclysmic outbreaks of popular violence.

帳單

Amitav Chakravarti,Manoj Thomasntiments’. In Thelwall’s deployment of sentimental conventions sympathy and a nascent political consciousness were synonymous. We recognize a similar version of politicosentimentality in Wordsworth’s ‘Salisbury Plain’ poems and in works like ‘The Ruined Cottage’.

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