Titlebook: Cultural Memory, Memorials, and Reparative Writing; Erica L. Johnson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 affect

characteristic

Dominical Diversions: Laforgue on Sundays, French Guiana is one that he tells through his deeply affective memories of wandering through its ruins. Both case studies demonstrate keen uses of personal memory and experience as essential sources of knowledge.

DECRY

Memoir and Memory-Traces, French Guiana is one that he tells through his deeply affective memories of wandering through its ruins. Both case studies demonstrate keen uses of personal memory and experience as essential sources of knowledge.

農(nóng)學(xué)

Arctic

Book 2018 memory as archive; memorial as affect: this book looks at the interplay between archival sources on the one hand, and the affective memories, both personal and collective, that flow from, around, and into the constantly shifting record of the past.? .

施魔法

忍受

Menna Elfyn , (1982) and , (1996)with the racial history of the United States, and acknowledges the urgency of this topic in the wake of the Confederate monument removals and clashes in 2017 and ongoing debates about them. It ties these public debates about cultural memory to forms of writing that draw on personal forms of memory to do critical and cultural memory work.

我們的面粉

Dominical Diversions: Laforgue on Sundays,ase studies that exemplify what I call “reparative writing” include Jean Halley’s ., Anne Cvetkovich’s ., and Elspeth Probyn’s .. Each author draws on personal memories as crucial sources of material in much the same way that they draw on more standard archival materials, thereby demonstrating their use of an “affective archive.”

鞠躬

Dominical Diversions: Laforgue on Sundays,d in the larger project of commemorating the lives of the enslaved. I use the timely and continuing conversation around memorialization to reconnect to the ways in which writers have theorized and practiced public feelings in various forms of memoir-work.

META

2634-6311 sources on the one hand, and the affective memories, both personal and collective, that flow from, around, and into the constantly shifting record of the past.? .978-3-030-02098-9Series ISSN 2634-6311 Series E-ISSN 2634-632X

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