Titlebook: Cultural Dance in Australia; Essays on performanc Jeanette Mollenhauer Book 2022 The Editor(s) (if applicable) and The Author(s), under exc

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In the Spotlight: Public Performances of Cultural Dance in Australia,are described, including the ways in which public performances reveal the imbrication of multiple aspects of cultural identity. Audiences can both influence and be influenced by cultural dance performances and this granulated relationship is examined. The performing arts provide opportunities for in

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The Ivory Tower and Its Fixed Pointe of Reference,Three hallmarks of that structure, evolution, hierarchy and universalism are promulgated through both academic and vernacular channels to create a two-tiered system of performance evaluation. Education about the history and development of those hallmarks would produce a dance landscape that is more

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Borders, Boundaries and Difference, briefly but the focus is on Margaret Walker and her professional folk character ensemble, Dance Concert. Walker successfully engaged in cross-cultural discourse with both professional overseas teachers and amateur pedagogues and ensembles within Australia. Walker‘s extensive program of community da

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Steps Towards the Future,ntral goal but this concept should be broadened from its current focus on the people who dance to include a wider range of genres being performed and studied in Australia. The multi-faceted nature of decolonisation is promoted, along with suggestions for change that focus on acknowledging skewed dan

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Book 2022onal dance customs in diaspora. It is the first book to present a broad-ranging analysis of cultural dance in Australia. Topics include adaptation of dance customs within a post-migration context, multicultural festivals, prominent performers, historiographies and archives, and the relative position

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