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Titlebook: Cultivating National Identity through Performance; American Pleasure Ga Naomi J. Stubbs Book 2013 Palgrave Macmillan, a division of Nature

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發(fā)表于 2025-3-21 20:02:30 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Cultivating National Identity through Performance
副標(biāo)題American Pleasure Ga
編輯Naomi J. Stubbs
視頻videohttp://file.papertrans.cn/241/240730/240730.mp4
叢書名稱Palgrave Studies in Theatre and Performance History
圖書封面Titlebook: Cultivating National Identity through Performance; American Pleasure Ga Naomi J. Stubbs Book 2013 Palgrave Macmillan, a division of Nature
描述As outdoor entertainment venues in American cities, pleasure gardens were public spaces where people could explore what it meant to be American. Stubbs examines how these venues helped form American identity and argues the gardens allowed for the exploration of what it meant to be American through performance, both on and off the stage.
出版日期Book 2013
關(guān)鍵詞African Americans; identity; Native Americans; stage
版次1
doihttps://doi.org/10.1057/9781137326874
isbn_softcover978-1-349-46002-1
isbn_ebook978-1-137-32687-4Series ISSN 2947-5767 Series E-ISSN 2947-5775
issn_series 2947-5767
copyrightPalgrave Macmillan, a division of Nature America Inc. 2013
The information of publication is updating

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Performing Class: The Challenge to and Reaffirmation of Class Divisions and Hierarchies, American society. He argued that America is not and should not be defined politically by a class structure, and refuted the need for a hierarchy in which people foist themselves to a position of superiority at the expense of those below. He knew class to be an inescapable element of American societ
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Islamism and Gender: Male Perspectives,ent a wealth of opportunities for exploring the performance of American identities through popular entertainments. Like the theatres, museums, and circuses with which they had close connections, these sites contributed to the discussion of what it meant to be American in the period following the Revolution..
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Wittgenstein, Frazer and Religionn 1857, John W. Francis described a performance by Native Americans at Vauxhall, New York, recalling that
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