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Titlebook: Cult Film Stardom; Offbeat Attractions Kate Egan,Sarah Thomas Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

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發(fā)表于 2025-3-21 17:47:41 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Cult Film Stardom
副標(biāo)題Offbeat Attractions
編輯Kate Egan,Sarah Thomas
視頻videohttp://file.papertrans.cn/241/240716/240716.mp4
圖書封面Titlebook: Cult Film Stardom; Offbeat Attractions  Kate Egan,Sarah Thomas Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 201
描述The term ‘cult film star‘ has been employed in popular journalistic writing for the last 25 years, but what makes cult stars distinct from other film stars has rarely been addressed. This collection explores the processes through which film stars/actors become associated with the cult label, from Bill Murray to Ruth Gordon and Ingrid Pitt.
出版日期Book 2013
關(guān)鍵詞cinema; film; Hollywood
版次1
doihttps://doi.org/10.1057/9781137291776
isbn_softcover978-1-349-33305-9
isbn_ebook978-1-137-29177-6
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
The information of publication is updating

書目名稱Cult Film Stardom影響因子(影響力)




書目名稱Cult Film Stardom影響因子(影響力)學(xué)科排名




書目名稱Cult Film Stardom網(wǎng)絡(luò)公開(kāi)度




書目名稱Cult Film Stardom網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱Cult Film Stardom被引頻次




書目名稱Cult Film Stardom被引頻次學(xué)科排名




書目名稱Cult Film Stardom年度引用




書目名稱Cult Film Stardom年度引用學(xué)科排名




書目名稱Cult Film Stardom讀者反饋




書目名稱Cult Film Stardom讀者反饋學(xué)科排名




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發(fā)表于 2025-3-21 21:21:47 | 只看該作者
Prisoner of Cool: Chlo? Sevigny, Alternative Stardom and Image Managementwith independent cinema ‘a(chǎn)re not as widely known as blockbuster stars, then distinctions need to be drawn between “popular” stars and “cult” stars’ (1998: 199). While Sevigny has appeared in a few Hollywood movies, the majority of her acting appearances have been within independent films, in both lo
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發(fā)表于 2025-3-22 16:08:41 | 只看該作者
Damaged Beauty: Montgomery Clift, Tragedy and the Redefinition of a Star Imageone of a number of cinematic instances ‘where film exploits the decay of celebrity players’, making use of the physical evidence of a star’s biography and deterioration in its depiction of character and narrative (Naremore 1988: 20). Clift’s damaged appearance in his post-crash films becomes a consi
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發(fā)表于 2025-3-22 19:44:26 | 只看該作者
Forever ,: Sylvia Kristel and Soft-Core Cult Stardomriomphe cinema on the Champ-Elysées, one of the most prestigious avenues in Paris, where it would remain for thirteen years with English subtitles and an enormous billboard featuring a provocative Kristel sitting topless in a cane chair staring at the camera. . was such a social phenomenon at the ti
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發(fā)表于 2025-3-22 23:52:29 | 只看該作者
Well-Being and Employee Engagementlities of those ‘stars’ who appear in such texts (whether, as J. P. Telotte argues (1991), they are conventionally considered as mainstream or marginal films). But the term is also employed away from canonical cult texts to describe other atypical performers who nevertheless have a presence within m
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