Titlebook: Cuba in the Special Period; Culture and Ideology Ariana Hernandez-Reguant (cultural anthropologist Book 2009 Ariana Hernandez-Reguant 2009

peak-flow-meter

書目名稱Cuba in the Special Period影響因子(影響力)




書目名稱Cuba in the Special Period影響因子(影響力)學(xué)科排名




書目名稱Cuba in the Special Period網(wǎng)絡(luò)公開度




書目名稱Cuba in the Special Period網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Cuba in the Special Period被引頻次




書目名稱Cuba in the Special Period被引頻次學(xué)科排名




書目名稱Cuba in the Special Period年度引用




書目名稱Cuba in the Special Period年度引用學(xué)科排名




書目名稱Cuba in the Special Period讀者反饋




書目名稱Cuba in the Special Period讀者反饋學(xué)科排名

Psychogenic

esthetician

Filmmaking with Foreignersdition, foreign coproductions, new digital technologies, and the production of foreign films in Cuba, led to new representations of the island and new cinematic genres for both Cuban and foreign consumption.

ABOUT

Multicubanidadds to play a video game, while another one listens to music in his headphones, another types at the computer, and two others shout on their respective cell phones. Independently and differentiated from each other, they have found their self-expression. Yet they are alone.

Microaneurysm

Preemptive Nostalgia and , for Cuban Identity: Option Zero Theaterint between life and death, regeneration and repression,” and adds that the concept of crisis “represents a suspension, a rupture between two states.” She then defines the accompanying “theater of crisis” as dialectical, exposing “the integrating theatricality of the social setting, the political sh

喚起

Wandering in Russianan was no longer the principal language of international affairs, it did function as a foil in my presence, and for these Cubans who were born in the 1940s and 1950s and had studied in the Soviet Union, that evening at least, Russian, if ever so slightly, continued to defend Cuba against .. Such a r

喚起

歌唱隊(duì)

degradation

衍生